plenty of skill, I had precious little experience.
Maelzelâs headquarters occupied nearly the entire first floor of Masonic Hall. It was obvious at a glance that the place was no chess club. It looked more like a factory. Half a dozen men in work clothes and carpenterâs aprons were engaged in a bewildering variety of tasks: One was carving what looked like a doll or marionette. Another was chiseling teeth into a wooden gear a foot in diameter. A third was constructing a miniature house, laying bricks the size of split peas. Next to him was a fellow crafting a wagon so small it could have been pulled by snails.
On the back wall hung a sheet of linen some four feet high and ten feet long, on which two men were painting a landscape as true to life as a daguerreotypeâthough of course the daguerreotype hadnât been invented yet. These odd activities stirred my curiosity, and I might have stood there gaping for a long while, but Mulhouse led me across the sawdust- and shavings-strewn floor and into an office with a large glass window that gave a clear view of the whole workshop. The desk was cluttered with books and drawings and clay models and dirty cups and overflowing ashtrays, but no one sat there.
On one wall of the office was a heavy door; Mulhouse approached it and knockedânot as you or I would knock, but in a certain pattern: three raps, then a pause, three more, then a pause, then two more. After a moment, a little panel in the door opened and I saw dark eyes peering out. âOh, it is you,â said a voice. The door opened slightlyânot enough for me to see inside the roomâand a man emerged, swiftly pulled it shut behind him, and locked it.
This, I supposed, must be Maelzel. As Iâve said, when youâre young itâs hard to judge an adultâs age, but I suppose he must have been sixty or so. His hairline had receded considerably; the remaining hairâwhich was worn long, in the manner of men who wanted to appear artisticâshowed no trace of gray. No doubt he dyed it with silver nitrate and henna, but I didnât know about such things then; I noticed only that it seemed unnaturally black.
I later learned that, when he made public appearances, he wore a corset to contain his ample belly, but at the moment it was contained only by a carpenterâs apron, like those worn by the workmen. Otherwise, he was dressed like a gentleman, in a brown linen jacket and trousers. His face had an aristocratic look, too, with a long nose that was nearly as straight and sharp as a knife; his arched eyebrows, which looked as if theyâd been plucked, were raised in surprise.
âWhat have we here, Mulhouse? You said you would bring me a chess player, not a street urchin.â He had a European accent, too, but it was heavier and more guttural than Mulhouseâs.
Mulhouse smiled smugly. âAh, Johann. You, of all people, should know better than to let appearances deceive you. The boy may look a bit shabby, but I assure you, his chess playing is not.â
âHave you played against him?â
âOf course. I am not a fool.â
âThat is debatable.â The man approached me and, to my astonishment, placed both hands on my head and began exploring my scalp, much the way the keepers at the House of Refuge had when they were looking for lice. Alarmed, I glanced at Mulhouse. He smiled slightly and gave me a reassuring nod.
After a full minute of massaging my skull with his blunt fingers, Maelzel said, âHmm. His organ of Locality is well developed; so are those representing Order and Calculation. A good sign.â The fingers moved to a spot directly above my ear. âI note that he is also better than average in Cautiousness and Agreeableness.â The fingers probed the area behind my ear. âHe is lacking in Combativeness, which is a good thing . . .â They crept across my crown, making me shiver. â. . . but also in