now it’s Partridge’s turn at the mic as if he’s the man to carry his legacy into the future , and supposedly he is.
Partridge stands and walks along the row of blown-up photographs, which start during his father’s days as a cadet in the Best and the Brightest, when he founded the Seven, fell in love with Partridge’s mother, and might have started to go a little crazy—perhaps showing just the first few signs of mania, narcissism, and maybe some good old-fashioned paranoia. They move on to photos of him as a lead engineer of the Dome, standing beside more than one president, and, more recently, photos of him inside of the Dome, giving speeches, standing in front of the most recent elite corps of Special Forces.
And then there’s one photograph of his father with an arm around each of his sons. Partridge looks lanky, small for his age, and is wearing the worried brow of someone middle-aged. Sedge, on the other hand, went through puberty young. He’s tall and thick shouldered. He stands straight and smiles at the camera. They’re standing in front of a Christmas tree. It might have been the first Christmas after the Detonations. They have the air of survival. They’ve gotten through something. They’re safe now.
Partridge walks up to the podium set up for the broadcast. He looks out across the audience but can barely see through the glare of the bright lights. He spots Mimi, who looks at him, bleary-eyed. Beside her, Iralene gives him a tight-lipped smile and a nod of encouragement. Foresteed stands along one wall next to Purdy and Hoppes.
As if you don’t have lies of your own already, Partridge. If you’re going to come clean, why don’t you start with yourself?
He coughs into his balled fist and then opens his mouth to state his given lines. I’m here to represent my family. My father is dead. And now is a time for healing…
But as he starts to speak, the words that are there are simpler: I killed my father.
He panics. What’s he going to say to these people? The cameras are pointed at him—it’s like being surrounded by oversized eyes. Out there, Lyda could be watching. Everyone is watching. This is actually the first time he’s addressed all the people of the Dome.
The first time.
The truth.
It doesn’t matter what Cygnus wants from him, what Glassings expects. None of them have gotten in touch with him since his father’s death anyway. Why? He doesn’t know, but he does know that he’s in charge now. He’s the leader. It’s time for him to lead.
He thinks of Bradwell looking at this footage one day. What if it ends up in his footlocker with all of the other old stuff he’s kept? He hears Pressia wondering aloud if he’s got enough courage and El Capitan shouting at him, “Say it! Tell them! What are you afraid of? The worst has already happened to us.”
Damn it. He’s going to be a father himself one day—soon. His own child could see a recording of this moment in the distant future.
He looks out and spots Gertie, who seems too old to look so ashamed, but he is and quickly looks down at his knees. Partridge doesn’t want to have to send a message to each and every Gertie in the Dome one by one. No. Damn it. Now’s the time.
He opens his mouth again. If you rob them of their lie, they’ll self-destruct. He can’t keep the lie going. He has to be able to look himself in the mirror too.
“Thank you all for coming,” he says and glances at Hoppes, who looks pleasantly surprised. Hoppes wanted him to be more conversational, but Foresteed’s face darkens. He knows this break from the script isn’t good. These people like consistency, normalcy…
Partridge takes a deep breath and grips the podium. “Here’s the honest truth about my father. He was the mastermind behind the Detonations. He was a mass murderer.” Partridge can feel the air in the room tightening, going silent and still. “I’ve been outside of the Dome. I’ve met people who know the truth, including
Franz Kafka, Willa Muir, Edwin Muir