It’s Robert
calling from a prison called Rikers Island.
Even from my half-asleep place,
I can hear my mother taking a heavy breath, whispering,
I knew this was coming, Robert. I knew you weren’t
doing right.
In the morning, we eat our cereal in silence as
our mother tells us
that our uncle won’t be around for a while.
When we ask where he’s gone, she says,
Jail.
When we ask why, she says,
It doesn’t matter. We love him.
That’s all we need to know and keep remembering.
Robert walked the wide road,
she says
. And now
he’s paying for it.
Witnesses believe there’s a wide road and a narrow road.
To be good in the eyes of God is to walk the narrow one,
live a good clean life, pray, do what’s right.
On the wide road, there is every kind of bad thing anyone
can imagine. I imagine my uncle doing his smooth
dance steps down the wide road,
smiling as the music plays loud. I imagine
him laughing, pressing quarters into our palms,
pulling presents for us from his bag, thick gold
bracelet flashing at his wrist.
Where’d you get this?
my mother asked, her face tight.
It doesn’t matter,
my uncle answered.
Y’all know I love you.
You doing the right thing, Robert?
my mother wanted
to know.
Yes,
my uncle said.
I promise you.
It rains all day. We sit around the house
waiting for the sun to come out so we can go outside.
Dell reads in the corner of our room. I pull out
my beat-up composition notebook
try to write another butterfly poem.
Nothing comes.
The page looks like the day—wrinkled and empty
no longer promising anyone
anything.
moving upstate
From Rikers Island, my uncle is sent
to a prison upstate we can visit.
We don’t know what he’ll look like, how
much he’ll have changed. And because our mother
warns us not to, I don’t tell anyone he’s in jail.
When my friends ask, I say,
He moved upstate.
We’re going to visit him soon.
He lives in a big house,
I say.
With a big yard and everything.
But the missing settles inside of me. Every time
James Brown comes on the radio, I see Robert dancing.
Every time the commercial for the Crissy doll comes on
I think how I almost got one.
He’s my favorite uncle,
I say one afternoon.
He’s our ONLY uncle,
my sister says.
Then goes back to reading.
on the bus to dannemora
We board the bus when the sun is just kissing the sky.
Darkness like a cape that we wear for hours, curled into it
and back to sleep. From somewhere above us
the O’Jays are singing, telling people all over the world
to join hands and start a love train.
The song rocks me gently into and out of dreaming
and in the dream, a train filled with love goes on and on.
And in the story that begins from the song, the bus
is no longer a bus and we’re no longer going to
Dannemora. But there is food and laughter and
the music. The girl telling the story is me but
not me at the same time—watching all of this,
writing it down as fast as she can,
singing along with the O’Jays, asking everyone
to let this train keep on riding . . .
“riding on through . . .”
and it’s the story of a whole train filled
with love and how the people on it
aren’t in prison but are free to dance
and sing and hug their families whenever they want.
On the bus, some of the people are sleeping, others
are staring out the window or talking softly.
Even the children are quiet. Maybe each of them
is thinking
their own dream—of daddies and uncles, brothers
and cousins
one day being free to come on board.
Please don’t miss this train at the station
‘Cause if you miss it, I feel sorry, sorry for you.
too good
The bus moves slow out of the city until we can see
the mountains, and above that, so much blue sky.
Passing the mountains.
Passing the sea
Passing the heavens.
That’s soon where I will be . . .
A song comes to me quickly, the words moving through
my brain and out of my mouth in a whisper but still
my sister hears, asks who