taught it to me.
I just made it up,
I say.
No you didn’t,
she says back
. It’s too good. Someone
taught that to you.
I don’t say anything back. Just look out the window
and smile.
Too good,
I am thinking. The stuff I make up is
too good.
dannemora
At the gate of the prison, guards glare at us, then slowly
allow us in.
My big brother is afraid.
He looks up at the barbed wire
puts his hands in his pockets.
I know he wishes he was home with his chemistry set.
I know he wants to be anywhere but here.
Nothing but stone and a big building that goes so far up
and so far back and forth that we can’t see
where the beginning is
or where it might end. Gray brick, small windows
covered with wire. Who could see
out from here? The guards check our pockets,
check our bags, make us
walk through X-ray machines.
My big brother holds out his arms. Lets the guards pat him
from shoulder to ankle, checking
for anything he might be hiding . . .
He is Hope Austin Woodson the Second, part of a long line
of Woodsons—doctors and lawyers and teachers—
but as quickly as THAT! he can become
a number. Like Robert Leon Irby is now
so many numbers across the pocket
of his prison uniform that it’s hard
not to keep looking at them,
waiting for them to morph into letters
that spell out
my uncle’s name.
not robert
When the guard brings our uncle to the waiting room
that is filled with other families
waiting, he is not
Robert. His afro is gone now,
shaved to a black shadow on his perfect skull.
His eyebrows are thicker than I remember, dipping down
in a newer, sadder way. Even when he smiles,
opens his arms
to hug all of us at once, the bit I catch of it, before
jumping into his hug, is a half smile, caught
and trapped inside a newer, sadder
uncle.
mountain song
On the way home from visiting Robert,
I watch the mountains move past me
and slowly the mountain song starts coming again
more words this time, coming faster
than I can sing them.
Passing the mountains
Passing the sea
Passing the heavens
waiting for me.
Look at the mountains
Such a beautiful sea
And there’s a promise that heaven
is filled with glory.
I sing the song over and over again,
quietly into the windowpane, my forehead
pressed against the cool glass. Tears coming fast now.
The song makes me think of Robert and Daddy
and Greenville
and everything that feels far behind me now, everything
that is going
or already gone.
I am thinking if I can hold on to the memory of this song
get home and write it down, then it will happen,
I’ll be a writer. I’ll be able to hold on to
each moment, each memory
everything.
poem on paper
When anyone in the family asks
what I’m writing, I usually say,
Nothing
or
A story
or
A poem
and only my mother says,
Just so long as you’re not writing about our family.
And I’m not.
Well, not really . . .
Up in the mountains
far from the sea
there’s a place called Dannemora
the men are not free . . .
daddy
It is early spring
when my grandmother sends for us.
Warm enough to believe again
that food will come from the newly thawed earth.
This is the weather,
my mother says,
Daddy loved
to garden in.
We arrive
not long before my grandfather is about to take
his last breaths,
breathless ourselves from our first ride
in an airplane.
I want to tell him all about it
how loud it was when the plane lifted into the sky,
each of us, leaning toward the window,
watching New York
grow small and speckled beneath us.
How the meals arrived
on tiny trays—some kind of fish that none of us ate.
I want to tell him how the stewardess gave us wings
to pin to our blouses and shirts and told Mama
we were beautiful and well behaved. But
my grandfather is sleeping when we come to his bedside,
opens his eyes only to smile, turns so that my grandmother
can press ice cubes against his lips. She tells us,
He needs his rest now.
That evening
he dies.
On the day
Matt Christopher, William Ogden