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of yours, who aren’t good for anything but stuffing their faces, down to Flood Dragon River to catch some shrimp. And don’t come home until you’ve got a basketful!”
    Laidi clambered to her feet, scooped up her baby sister Qiudi, and ran outside.
    After shooing Niandi and the other girls out the door like a brood of chickens, Shangguan Lü picked up a willow shrimping basket and flung it to Lingdi. Holding Qiudi in one arm, Laidi reached out with her free hand and took the hand of Niandi, who took the hand of Xiangdi, who took the hand of Pandi. Lingdi, shrimping basket in one hand, took Pandi’s free hand with her own, and the seven sisters, tugging and being tugged, crying and sniffling, walked down the sundrenched, windswept lane, heading for Flood Dragon River.
    As they passed by Aunty Sun’s yard, they noticed a heavy fragrance hanging in the air and saw white smoke billowing out of the chimney. The five mutes were carrying kindling into the house, like a column of ants; the black dogs, tongues lolling, kept guard at the door, expectantly.
    When the girls climbed the bank of the Flood Dragon River, they had a clear view of the compound. The five mutes spotted them. The oldest boy curled his upper lip, with its greasy mustache, and smiled at Laidi, whose cheeks suddenly burned. She recalled the time when she’d gone to the river to fetch water, and the mute had tossed a cucumber into her bucket. He had grinned at her, like a sly fox, but with no sinister intent, and her heart had leapt, for the first time in her life. With blood rushing to her cheeks, she’d gazed down at the glassy surface of the water and seen how flushed her face had become. Afterwards, she’d eaten the cucumber, and the taste had lingered long after it was gone. She looked up at the colorful church steeple and the watch-tower. A man at the top was dancing around like a golden monkey and shouting:
    “Fellow villagers, the Japanese horse soldiers have already set out from the city!”
    People gathered below the tower and gazed up at the platform, where the man grabbed the railing from time to time and looked down, as if answering their unasked questions. Then he’d straighten up again, make another turn around the platform, cupping his hands like a megaphone to warn one and all that the Japanese would soon be entering the village.
    Suddenly, the rumble of a horse-drawn wagon emerged from the main street. Where it had come from was a mystery; it was as if it had simply dropped from the sky or risen out of the ground. Three fine horses were pulling the large, rubber-wheeled wagon, the clip-clopping of twelve hooves racing along, leaving clouds of yellow dust in their wake. One of the horses was apricot yellow, one date red, the other the green of fresh leeks. Fat, sleek, and fascinating, they seemed made of wax. A dark-skinned little man stood spread-legged on the shafts behind the lead horse, and from a distance, it looked as if he were straddling the horse itself. His red-tasseled whip danced in the air —
pa pa pa
— as he sang out,
haw haw haw.
Without warning, he jerked the reins, the horses whinnied as they stiffened their legs, and the wagon skidded to a halt. Clouds of dust that had followed them quickly swallowed up the wagon, the horse, and the driver. Once the dust had settled, Laidi saw the Felicity Manor servants run out with baskets of liquor and bales of straw, which they loaded onto the wagon. One burly fellow stood on the steps of the Felicity Manor gateway, shouting at the top of his lungs. One of the baskets fell to the ground with a thud, the pig-bladder stopper fell out, and the fine liquor began to spread on the ground. When a pair of servants rushed over to pick up the basket, the man in the gateway jumped down off the step, swirled his glossy whip in the air, and brought the tip down on their backs. They covered their heads and hunkered down in the middle of the street to take the whipping they deserved. The whip