river
& the men grew silent
The builders
busy themselves with great rafts
at the water’s edge
on the morrow
we again set our faces
to the East
Tonight
wind birds
fill the air
the clacking of their bills
like iron on iron
The wind
is steady is fragrant
with jasmine
trail of the country behind us
The wind moves
through the camp
stirs the tents of
the Hetaeri
touches each
of the sleeping soldiers
Euoi! Euoi!
men cry out
in their sleep & the horses
prick their ears & stand
shivering
In a few hours
they all shall wake
with the sun
shall follow the wind
even further
The Mosque in Jaffa
I lean over the balcony of the minaret.
My head swims.
A few steps away the man who intends
to betray me begins by pointing out
key sights —
market church prison whorehouse.
Killed, he says.
Words lost in the wind but
drawing a finger across his throat
so I will get it.
He grins.
The key words fly out —
Turks Greeks Arabs Jews
trade worship love murder
a beautiful woman.
He grins again at such foolishness.
He knows I am watching him.
Still he whistles confidently
as we start down the steps
bumping against each other going down
commingling breath and bodies in the narrow spiralling dark.
Downstairs, his friends are waiting
with a car. We all of us light cigarettes
and think what to do next.
Time, like the light in his dark eyes,
is running out as we climb in.
Not Far from Here
Not far from here someone
is calling my name.
I jump to the floor.
Still, this could be a trap.
Careful, careful.
I look under the covers for my knife.
But even as I curse God
for the delay, the door is thrown open
and a long-haired brat enters
carrying a dog.
What is it, child? (We are both
trembling.) What do you want?
But the tongue only hops and flutters
in her open mouth
as a single sound rises in her throat.
I move closer, kneel
and place my ear against the tiny lips.
When I stand up—the dog grins.
Listen, I don’t have time for games.
Here, I say, here—and I send her away
with a plum.
Sudden Rain
•
Rain hisses onto stones as old men and women
drive donkeys to cover.
We stand in rain, more foolish than donkeys,
and shout, walk up and down in rain and accuse.
•
When rain stops the old men and women
who have waited quietly in doorways, smoking,
lead their donkeys out once more and up the hill.
•
Behind, always behind, I climb through the narrow streets.
I roll my eyes. I clatter against stones.
Balzac
I think of Balzac in his nightcap after
thirty hours at his writing desk,
mist rising from his face,
the gown clinging
to his hairy thighs as
he scratches himself, lingers
at the open window.
Outside, on the boulevards,
the plump white hands of the creditors
stroke moustaches and cravats,
young ladies dream of Chateaubriand
and promenade with the young men, while
empty carriages rattle by, smelling
of axle-grease and leather.
Like a huge draught horse, Balzac
yawns, snorts, lumbers
to the watercloset
and, flinging open his gown,
trains a great stream of piss into the
early nineteenth century
chamberpot. The lace curtain catches
the breeze. Wait! One last scene
before sleep. His brain sizzles as
he goes back to his desk—the pen,
the pot of ink, the strewn pages.
Country Matters
A girl pushes a bicycle through tall grass,
through overturned garden furniture, water
rising to her ankles. Cups without handles
sail upon the murky water, saucers
with fine cracks in the porcelain.
At the upstairs window, behind damask curtains,
the steward’s pale blue eyes follow.
He tries to call.
Shreds of yellow note paper
float out onto the wintry air, but the girl
does not turn her head.
Cook is away, no one