cups
and know this grease that floats
over the coffee will one day stop our hearts.
Eyes and fingers drop onto silverware
that is not silverware. Outside the window, waves
beat against the chipped walls of the old city.
Your hands rise from the rough tablecloth
as if to prophesy. Your lips tremble…
I want to say to hell with the future.
Our future lies deep in the afternoon.
It is a narrow street with a cart and driver,
a driver who looks at us and hesitates,
then shakes his head. Meanwhile,
I coolly crack the egg of a fine Leghorn chicken.
Your eyes film. You turn from me and look across
the rooftops at the sea. Even the flies are still.
I crack the other egg.
Surely we have diminished one another.
The Blue Stones
If I call stones blue it is because
blue is the precise word, believe me.
— FLAUBERT
You are writing a love scene
between Emma Bovary and Rodolphe Boulanger,
but love has nothing to do with it.
You are writing about sexual desire,
that longing of one person to possess another
whose ultimate aim is penetration.
Love has nothing to do with it.
You write and write that scene
until you arouse yourself,
masturbate into a handkerchief.
Still, you don’t get up from the desk
for hours. You go on writing that scene,
writing about hunger, blind energy —
the very nature of sex —
a fiery leaning into consequence
and eventually, utter ruin
if unbridled. And sex,
what is sex if it is not unbridled?
You walk on the strand that night
with your magpie friend, Ed Goncourt.
You tell him when you write
love scenes these days you can jackoff
without leaving your desk.
“Love has nothing to do with it,” you say.
You enjoy a cigar and a clear view of Jersey.
The tide is going out across the shingle,
and nothing on earth can stop it.
The smooth stones you pick up and examine
under the moon’s light have been made blue
from the sea. Next morning when you pull them
from your trouser pocket, they are still blue.
—
for my wife
Tel Aviv and
Life on the Mississippi
This afternoon the Mississippi —
high, roily under a broiling sun,
or low, rippling under starlight,
set with deadly snags come out to fish
for steamboats —
the Mississippi this afternoon
has never seemed so far away.
Plantations pass in the darkness;
there’s Jones’s landing appearing out
of nowhere, out of pine trees,
and here at 12-Mile Point, Gray’s
overseer reaches out of fog and receives
a packet of letters, souvenirs and such
from New Orleans.
Bixby, that pilot you loved,
fumes and burns:
D——nation, boy! he storms at you time and again.
Vicksburg, Memphis, St Looey, Cincinnati,
the paddleblades flash and rush, rush
upriver, soughing and churning
the dark water.
Mark Twain you’re all eyes and ears,
you’re taking all this down to tell later,
everything,
even how you got your name,
quarter twain, mark twain,
something every schoolboy knew
save one.
I hang my legs further over the banister
and lean back in shade,
holding to the book like a wheel,
sweating, fooling my life away,
as some children haggle,
then fiercely slap each other
in the field below.
The News Carried to Macedonia
On the banks of the
river they call Indus today
we observe a kind of
bean
much like the Egyptian bean
also
crocodiles are reported
upstream & hillsides grown over
with myrrh & ivy
He believes
we have located the headwaters
of the River Nile
we offer
sacrifice
hold games
for the occasion
There is much rejoicing &
the men think
we shall turn back
These elephants their
emissaries offer
are giant
terrifying beasts yet
with a grin he yesterday
ran up a ladder onto
the very top of one
beast
The men
cheered him & he
waved & they cheered him
again
He pointed across the
Elmore - Carl Webster 03 Leonard