her mind wasnât on the music.
We canât ever really know anyone else, can we
, she began
.
Depends what you mean by
know
.
What life is really like for them, what they really think. Itâs impossible. Weâre all locked inside ourselves.
You mean
you
are, Clare.
Maybe. But I think it goes for everyone. We can imagine somebody elseâs life, but weâll never know for sure if weâre right.
Yeah, well as far as that goes, whoâs to say we know ourselves any better? Who the hell is Clare Fraser?
Sometimes I think I know. When Iâm back here, itâs obvious. The question seems pointless.
The plane dipped gently, and the seatbelt sign chimed.
What made you think of this anyway?
I was thinking about my parents. What they were like when they were younger ...
Their sex life you mean.
Emma. Itâs not that. Itâs nothing to do with that.
Oh, come on. Youâre dying to know ifâ
No, never mind. Weâre about to land.
THE PEOPLE SURROUNDING CLARE and her mother in the arrivals hall had waiting facesânecks craning, eyes searching. The greeters hovered in heavy coats and clumpy boots, dripping dirty puddles of melted snow on the linoleum floor. The passengers streamed endlessly through the sliding security doors and around the luggage carousel, underdressed, burdened with parcels, a little dazed. Like camera flashes, faces lit up as searched-for parties or pieces of luggage were spotted, and gradually a uniform wave of satisfaction swept through the crowd. Beyond their superficial uniformity, however, the people in the crowd were, as always, unreadable, their circumstances unknowable. Even the most banal of exchanges with any one of them would involve infinite risks: a smile could be tactless; a comment about the weather could trigger terrible memories. How could one tell? Sensibly averting her eyes from these strangersâ faces, Clare watched the assembly-line progress of suitcases rumbling from the chute and sliding into place on the carousel. In her head, the conversation with Emma competed with the hurried, desperate voice of Gilles Vigneault.
Go on, ask her
.
Iâll ask her in the car.
Youâre such a chicken.
Dans la blanche cérémonie, où la neige au vent se marie; Dans ce pays de poudrerie, mon père a fait bâtir maison.
I just got here.
Youâve only been gone three weeks. And itâs just your mother. What are you worried about?
Iâm not worried. But it
is my mother. We donât talk about that stuff.
Et je mâen vais être fidèle, à sa manière, à son modèle.
Donât talk about it then. Just get a yes or a no.
Iâll ask her, Emma. When the timeâs right.
You promise?
Mon pays ce nâest pas un pays, câest lâhiver ...
She reached in front of her mother for her suitcase and hauled it awkwardly onto the luggage trolley. As they made their way out through the mob, she kept her eyes down. The conversation in her head drivelled on, a secret necessity, until they exited into the vast, frozen airport parking lot, where at last she relaxed her grip on the trolley and allowed herself to look around. Like her fellow passengers, she was underdressedâjeans, T-shirt, running shoes, rain jacketâbut at home.
âItâs a pity Easterâs so early this year,â her mother said. âIt hardly seems the season for it.â
âMmm. Youâre right.â
âDid you have a good flight, pet?â
âIt was fine.â
âWas the food all right?â
âNot too bad.â
âWas there a movie?â
âYeah. I didnât watch it.â
Sheâd fallen asleep listening to
Traditions Québecoises
on the headphones. Leaning against the window sheâd dreamed of a solitary man on a snowy plain. It could have been Gilles Vigneaultâthe man in the dream was singingâbut he was wearing her fatherâs overcoat. His grey
Mercy Walker, Eva Sloan, Ella Stone