disappointed.
I mean, I thought he was dragging me into his bedroom because Stamp was finally gone â¦
4
Monsters on Parade
Growl.
Dane chases me across the stage of
The Great Movie Monster Makeover Show.
Stamp growls even louder, pursues even more aggressively.
I nearly duck his wide, swinging arms. âHey,â I whisper as I hide behind him, the audience laughing as if this is part of the performance. âTake it easy on the overaggression there, big guy.â I shove him, just a little too hard, to let him know Iâll only play the victim so long.
He goes flying, tumbling toward the end of the stage.
Just in time, Dane grabs the back of his jacket and keeps him from careening into the third row.
More laughter, spontaneous applause.
Dane looks at me from behind the Frankenstein mask. âCut it out,â he says, using the nervous laughter of the audience as cover.
Stamp stumbles back, waving his arms, making a big production out of it. I think heâs smiling, even though I can only see his eyes behind the goofy mask. He chases me around the stage, still growling, and now I canât tell if heâs happy or sad or scared or faking it or for real mad at me. I only know there should be two Frankies chasing me and thereâs only one.
âHey,â I blurt when we pass Dane, whoâs standing awkwardly at the end of the stage, peering past the house lights at the audience. âWhat gives?â
He springs to life, grunting and waving and chasing me offstage.
The curtain falls.
I punch Stamp in the arm. âThe hell?â
But heâs already onstage again, ruffling the curtains and poking out through the middle as he yanks off his mask.
Dane and I join him for our final bows.
Itâs cheesy, sure, but with these tourists, you wouldnât believe who passes for a celebrity these days. Theyâd rather get the autograph of some two-bit ham in a rubber Frankenstein mask than go home empty-handed.
Stamp does his thing, bounding down into the audience, still wearing his mask and then finally revealing his cute face.
The girls swoon and rush him with their little copies of the black-and-white photo they got up front. Donât worry. Itâs not even of us, so no danger of the Sentinelsusing it to track us down.
Iâm next to Stamp, feeling lonely and out of place because nobody ever asks the non-Frankenstein girl for her autograph, not even out of pity. So Iâm not as distracted as Stamp is when Dane bounds by in his sweats and a flannel shirt, looking around the audience before slinking through the chairs to the exit.
âDane?â I follow him. I donât know. Thereâs just something about the urgency in his step, the tension of his shoulders, that screams three-alarm fire.
I look back at Stamp, still playing the ham, growling and mugging for the cameras with the tourists. He doesnât even notice me. I race past the last row. Outside, I get slight waves from folks.
âHey, hey, lookee there,â says some red-faced bloke with an English accent, tipping his madras driverâs cap. âItâs the lass from the monster show!â
I bow and smile and see Daneâs bristly head weaving and bobbing through the crowd beyond. I walk as briskly as possible, legs a little rigid for this kind of cat-and-mouse chase. Folks smile at me as I pass, figuring the stiff-legged walk is all part of the act, and suddenly I remember. Iâm still in costume!
Itâs a pretty big no-no. If my manager, Mr. Frears, were to spot me offstage like this, Iâd be fired. But heâs not working today, so Iâm not too worried about it. I look down at the scrappy dress, the fugly shoes, and theblood splatters on my stockings. I must look a fright, but sometimes itâs easier to hide as a monster than it is to pass as a Normal.
âDane!â I finally catch up, yanking him around more roughly than I wanted to.
He turns around and
Cara Marsi, Laura Kelly, Sandra Edwards