would have been an affront to the manâs method of narration.
âWhat do you do when youâre not tending to people in their last hours or days?â
âThis is everything I do. I talk to people, I bless them. They ask me to hold their hands, they tell me their lives. Those with strength enough left to talk or to listen.â
I watched him get to his feet, a taller man than heâd seemed at first glimpse. The cloak was knee-length and his pajama bottoms flapped as he moved toward the door. He wore high-top sneakers, black-and-white. I did not want to regard him as a comic figure. He was clearly not. I felt, in fact, reduced by his presence, his appearance, by what he said, his trail of happenstance. The cloak was a fetish, a serious one, a monkâs scapular, a shamanâs cape, carrying what he believed to be spiritual powers.
âIs this tea Iâm drinking?â
âGreen tea,â he said.
I waited for a word or phrase in Uzbek.
â¢Â  â¢Â  â¢
Artis said, âIt was ten or twelve years ago, surgery, right eye. When it was over they gave me a protective eye shield to wear for a limited time. I sat in a chair at home wearing the shield. There was a nurse, Ross had arranged a nurse, unnecessarily. We followed all the guidelines in the instruction sheet. I slept in the chair for an hour and when I woke up I removed the shield and looked around and everything looked different. I was astonished. What was I seeing? I was seeing what is always there. The bed, the windows, the walls, the floor. But the brightness of it, the radiance. The bedspread and pillow cases, the rich color, the depths of color, something from within. Never before, ever,â she said.
Two of us, sitting as we had the day before, and I had to lean in to hear what she was saying. She let time pass before she was ready to continue.
âIâm aware that when we see something, we are getting only a measure of information, a sense, an inkling of what is really there to see. I donât know the details or the terminology but I do know that the optic nerve is not telling the full truth. Weâre seeing only intimations. The rest is our invention, our way of reconstructing what is actual, if there is any such thing, philosophically, that we can call actual. I know that research is being done here, somewhere in this complex, on future models of human vision. Experiments using robots, lab animals, who knows, people like me.â
She was looking directly at me now. She made me see myself, briefly, as the person who was standing here being looked at. Fairly tall man with thick webbed hair, prehistoric hair. This was all I could borrow from the deep probe maintained by the woman in the chair.
She replaced me now with what sheâd seen that day.
âBut the sight of it, the familiar room now transformed,â she said. âAnd the windows, what did I see? A sky of the sheerest wildest blue. I said nothing to the nurse. What would I say? And the rug, my god, Persian was only a pretty word until now. Am I exaggerating when I say there was something in the shapes and colors, the symmetry of the weave, the warmth, the blush, I donât know what to call it. I became mesmerized by the rug and then by the window frame, white, simply white, but I had never seen white such as this and I was not taking some painkillers that might alter perception, just eyedrops four times a day. A white of enormous depth, white without contrast, I didnât need contrast, white as it is. Am I sure Iâm not overstating, inventing outright? I remember clearly what I thought. I thought, Is this the world as it truly looks? Is this the reality we havenât learned how to see? This was not an afterthought. Is this the world that animals see? I thought of this in the first few moments, looking out the window, seeing treetops and sky. Is this the world that only animals are capable of seeing? The world that