he sighs, in a way that suggests most of the worldâs problems are down to people like us wanting melts. We decide we do, but both pass on a squirt of the chefâs special sauce, given weâre not on nodding terms with him.
We make small talk, battling the octave range of Mariah Carey and multiple televisions, while two microwave-warm plates are banged down under our noses. As soon as Zoe finishes her meal, she says âHereâs what I wroteâ, brushing crumbs off her hands and producing a spiral-bound notepad from her bag, flipping to the right page. âI wrote it out longhand.â
I feel a twinge of irritation at being expected to mentor while Iâm still eating, but swallow it, along with a mouthful of rubbery cheese. I scan her story, braced for, if not car crash copy, a fender bender at the very least. But itâs good. In fact, itâs very fluid and confident for a first time.
âThis is good,â I nod, and Zoe beams. âYouâve got the right angle, that the father and the uncle donât deny that they went to see the boyfriend.â
âWhat if something better comes up this afternoon? Do you stick with your first instinct?â
âPossible but unlikely. The wheels turn pretty slowly. We probably wonât get on to the boyfriendâs evidence this afternoon.â
I hand Zoeâs notepad back to her.
âSo how long have you been here?â she asks.
âToo long. I went to uni here and did my training in Sheffield, then came to the
Evening News
as a trainee.â
âDo you like court?â
âI do, actually, yeah. I was always better at writing the stories than finding them, so this suits me. And the cases are usually interesting.â I pause, worried I sound like the kind of ghoul who goes to inspect the notes on roadside flowers. âObviously itâs nasty sometimes.â
âWhatâs it like here?â Zoe asks. âThe news editor seems a bit scary.â
âOh yeah.â With the flat of my knife, I push away a heap of gluey coleslaw that mustâve been on the plate when they heated it. âManaging Ken is like wrestling a crocodile. We all have the bite marks to show for it. Has he asked you the octuplets question yet?â
Zoe shakes her head.
âA womanâs had octuplets, ninetuplets, whatever. You get the first hospital bedside interview, while sheâs still whacked up on drugs. Whatâs the one question you donât leave without asking?â
âEr ⦠did it hurt?â
âAre you going to have any more? Sheâll probably try to throw the bowl of grapes at you but thatâs his point. Youâre a journalist, always think like one. Look for the line.â
âRight,â Zoeâs brow furrows, âIâll remember that.â
I feel that hopeless twinge of wanting to save someone the million cock-ups you made when you were new, and knowing they will make their own originals, and trying to save them anyway.
âBe confident, donât bullshit and if you do mess up and itâs going to come out, own up. Ken might still bawl at you but heâll trust you next time when you say itâs not your fault. Lyingâs his
bête noire
.â
âRight.â
âDonât worry,â I assure her. âIt can be a bit overwhelming at first, then sooner or later, you start to recognise all human experience boils down to half a dozen various types of story, and you know exactly how desk will want them written. Which of course is when youâve achieved the necessary cynicism, and should move on.â
âWhy did you want to be a journalist?â Zoe asks.
âHah! Lois Lane.â
âSeriously?â
âOh yes. The brunetteâs brunette. Ballsy, stood up to her boss, had her own rooftop apartment and that floaty blue negligee. And she went out with Superman. My mum used to put the Christopher Reeve films on if I was off