baths. Behind them thousands of coins, thrown there by visitors, glittered at the bottom of a circular plunge pool.
I walked over to introduce myself to the director but she beat me to it. âHi, Iâm Emms, Iâm the director. Mags Morrison, really, but Emms is fine. You must be Chris Honeysett. Cy described you well.â
âDid he?â
âWell, the long hair, ancient leather jacket and stuff . . .â We shook hands while I worried about
stuff
. âWelcome to
Time Lines
. Youâve met Cy over there. The others are busy. Youâll get to know them if you hang around long enough.â
Cy, who was now standing with a phone clamped to his ear, looked in my direction rather than at me when he said: âYouâre late. And so is Guy. Iâm calling the hotel again.â
Emms shrugged. âThereâs plenty of time as long as we shoot within the hour. After that the sun will come round and weâll lose this shot.â
âHi, itâs Cy Shovlin again,â he said into the phone. He nodded impatiently as he listened. âYes, Iâm sorry about that, but could you try his door again for me, please?â He wandered away along the rim of the pool as he waited for an answer.
âProblems?â I asked.
âNo, not yet,â Emms said. âWe always call Guy to make sure heâs up and running but this morning heâs not answering and the staff at the hotel said they got no reply from his room. You met him yesterday?â
âYes, we had a drink.â
â
A
drink? Skip it,â she said before I could answer. âYouâre a painter as well as a private investigator, how does that go together?â
âOh, really well,â I lied as though Iâd planned it and not simply slid into it by accident. âThey complement each other.â
Cy came striding back into the sunlight. âThey tried his door again and thereâs no answer. Honeysett, thatâs your baby from now on, making sure heâs on location, on time. Go up there and drag him out of bed and deliver him here. Use all reasonable force,â he added with a cold smile. âCall if thereâs a problem. You got my number?â
The town had come to life in the last thirty minutes and traffic was building up but Bath is a compact place and ten minutes later I was parking the DS in the centre of the crescent in front of the Royal Crescent Hotel. No neon signs here to mar the Palladian splendour, just a couple of potted plants and a doorman with top hat and tails. âCan I help you, sir?â he asked, rightly guessing perhaps that I would turn out not to be a guest.
âYes, you can. Donât let anyone stick a ticket on that car, I wonât be long.â At reception I explained the who, why and what-for and they found me a manager. She was a concerned forty-year-old in a suit and she walked upstairs with me to the second floor.
âMr Middleton is a regular guest at the hotel. He always takes the John Wood Suite. I do hope nothing has happened to him.â
âA few double whiskies may have happened,â I said and started pounding on the door with my flat hand like police officers like to do.
When the manager had had enough of the noise she unlocked the door herself. âWe donât like doing this except in an emergency.â She opened the door and allowed me to go in first.
And I found Guy Middleton. He had never made it to his four-poster bed. He lay half naked and slumped on the sofa facing the fireplace.
The manager remained by the door as I went to look at him. âIs he all right?â she asked.
On the floor beside the sofa lay an empty cut-glass tumbler where it had fallen from Middletonâs grasp. His mouth was half open. He was snoring. âHeâs alive, anyway.â I shook him, without getting a response. Remembering Cyâs permission to use reasonable force I pulled him upright by one arm and