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San Giovanni
    The cathedral’s two-story exterior was white marble, a little worse for age and blackened by five centuries of urban pollution. The detached bell tower on the cathedral’s left was constructed of darker, less noble material—simple brick—and was also some two hundred years younger. The intricate dome of the Capella della Sindone, a few decades older than the tower, loomed behind the cathedral. Their target was in the chapel.
    Nighthawk waited in the shadows until the others had crossed the almost empty piazza. Traffic was sporadic, but there were still a few pedestrians wandering about, and Nighthawk had not reached his advanced age by being reckless. He waited until Usher and Grubbs had entered the cathedral through the middle of the three doors in its front façade—Usher pausing only the briefest of moments to force the cheap padlock that tried to deny him entry—and then he crossed the dark piazza in an unhurried stride as Magda surreptitiously joined her teammates inside San Giovanni.
    It was dark inside the cathedral. The interior was lit only by some still-burning votive candles and a dim nightlight or two scattered like far-away stars among the massive columns of the gothic-style nave.
    “We need the stairs at the end of the presbytery,” Nighthawk said in a quiet voice which a trick of acoustics turned into a reverberating whisper.
    Usher thumbed on a pencil-thin flashlight and slashed it around the darkness.
    “This way,” he whispered in an imitation of Nighthawk, grinning at the echoing sibilance of his own words.
    They followed Usher down the aisle, past the rows of empty pews to the high altar set upon a dais in the rear of the nave. Two stairways flanked the altar. They were black marble, which contrasted vividly with the soft pastels of the cathedral’s painted interior. The stairs spiraled upwards into a small antechamber from where Nighthawk and his team could see inside the chapel’s central room.
    The Capella della Sindone was the masterpiece of the baroque architect Guarino Guarini. It was a perfectly round chamber of black marble roofed by an intricately decorated six-tiered dome that was said to enclose a bit of Heaven in its complexly ornamented cupola. Nighthawk could feel its holiness in his soul. He gazed upward, as if expecting to see cherubim and seraphim dancing like flights of fireflies through the enshrouding shadows.
    An intricate baroque altar of black marble ornamented with detailed bronze friezes, sat atop three marble steps under the center of the soaring dome. The altar was surrounded by what looked like golden bars, but according to the guidebook the apparently metal bars were actually only gilt wood. Four marble angels holding unlit silver lamps clustered protectively around the altar like holy guardians. A reliquary, an iron box covered in intricate silver facings and spangled with precious stones, sat atop the altar’s highest point, protected by a gilded iron fence.
    “There,” Nighthawk said quietly, gesturing at the reliquary.
    Grubbs grinned. “Like taking candy from a baby,” he said.
    He went up the marble dais, brushing away the gilt wood fence contemptuously as if it wasn’t even there. One of the guardian angels stood close enough to give him a boost up the altar. He clambered up to the altar’s pinnacle and braced himself to get a good grip on the gilded iron bars caging the reliquary. He pulled hard and a length of grillwork broke away with a loud screech.
    Nighthawk glanced around the darkened room. It was probable that the chapel had a security system of some kind, but they’d been unable to discover any details concerning it. A brotherhood called the Savoias was charged with protecting it since an anti-religious fanatic had tried to burn it down a couple of years before.
    “Careful,” Nighthawk hissed.
    “Don’t worry,” Grubbs said in a too-loud voice. He reached out and lifted the reliquary effortlessly, though it must have