else. Now Iâm determined to let the world know who I really am.â
I was puzzled. Mystique is a part of celebrity, and Cecilia already shares so much with her audiences. Sheâs loved for her energy and her ability to make her fans feel as if they know her. But, of course, they donât know her at all.
She stood and went to the railing, turning to face me. âAlmost two years ago a film producer named Mick Bollard contacted me. Do you know the name?â
âThe same Mick Bollard who makes the award-winning documentaries?â
âI figured you would know.â
Once upon a time I was a professional photojournalist. But even if the path of my life veered away from the profession I once loved so well, I do keep up with my colleagues.
âI may not have seen everything, but Iâve seen most of his work,â I said.
âHe told me he was doing a documentary on the foster care system, and he was looking for someone to narrate, someone famous to feature. He wanted a celebrity who had been a foster child, somebody to convey what the experience is like from a childâs point of view. He thought that would be a draw for the audience, but also a testament to how foster children can triumph.â
Cecilia has never flaunted her past, but neither has she hidden the basics, partly because itâs not easy to hide anything when hungry journalists are looking for a story. Iâm always impressed by how well she feeds information to the press without whetting their appetites or lying outright.
âWhat did you tell him?â I asked.
âI said no.â
That didnât surprise me, and it probably hadnât surprised Mick Bollard. âDid he refuse to take no for an answer?â
âActually he was understanding. That was the end of it until I got home from my Australian adventure. I started thinking about confronting my demons, and I got back in touch with Mick. We got together. I told him my entire history.â
I whistled softly. That alone had to be a first.
âYes, I know,â she said. âHe was fascinated. He went back to his hotel, and the next time I saw him he had moved well beyond what heâd first asked for. Now he wants to focus a large portion of the documentary on my childhood. Since you know his films, you know how that will work. Weâll go back to the places that were important in my personal story. Iâll be on camera, telling the audience what I remember. Heâll intersperse those segments with footage he already has, historical photographs and videos, interviews with social workers and the directors of innovative programs, and then heâll shoot more footage, closer looks at the child welfare system I grew up with and where it is now.â
I could picture it. And having Cecilia sharing her own life on camera? What it had been like to be an actual foster child, maybe even what her life had been like before the state took over? Done well, this could win awards. And nobody would do it as well as Mick Bollard.
âWill this help or hurt your career?â It was the next logical question.
âI donât know.â
âWhat does Donny say?â
âDonny says what matters is whether I think it will help or hurt me .â
Iâve always liked Ceciliaâs manager, who isnât quite the shark his colleagues are. I liked him more now. âAnd what do you think?â
âI think I need to do this.â She leaned forward. âAnd Robin, I really think you need to do it with me.â
5
Kris
Iâm the younger of two children; my sister, Lucie, is six years older, and we rarely fought. Lucie doted on me and thought it was hilarious when I tried to argue. I was the crash-test dummy for the parenting skills she would need later in life with her own four children. Consequently, when my children fight, I have no clue how to respond. My usual reaction is to respond badly.
âCut it out,â I said