spoke, fierce and low.
âYou better keep your
vo-lay-vo
to your
vo-lay
self.â
The table went silent. Uncle Joe cleared his throat. Dagmar turned red. Jimmy Ray looked hurt.
âDonât mean no harm, sweetheart,â he said to Annie. His voice was whiskey soft. âYou know that, no harm at all. Iâd kill the man who touched her.â
And then Jimmy Ray and her mother exchanged a look that Dagmar would never forget. It was the kind of look sheâd seen other men and women give each other. The kind of look that says they have secrets. That surprised her. Until that moment, Dagmar never thought much about Jimmy Ray. He was just there, always, a part of her life. He was like the sun in the morning, like the gators in the creek. She never noticed how he always sat next to her mother. How it was his arm draped over her chair.
She never noticed any of that until they exchanged that lookâand then Dagmar noticed everything.
Her motherâs eyes narrowed. âYouâd better watch over her,â she said, roughly. âBetter do the right thing.â
âThe child knows I love her,â Jimmy Ray said.
And Dagmar did. Still does. Doesnât need to know much more. The look between Jimmy Ray and her mother said it all. And Jimmy Rayâs love, constant and unflinching, confirms it.
Dagmar never saw her mother again. There were plenty of letters postmarked from all over the country, but never Chicago. They all ended with âSee you soon. Luv, Mama,â which always struck Dagmar as odd. Annie never liked to be called âMama.â There was never a return address.
When Dagmar turned eighteen, her mother sent her a birthday card with lace edges and a poem about a motherâs love. She didnât write âSee you soon.â She signed it âAnn,â not âMama.â Underneath her name was a single sentence: âBeing a mama isnât for everybody, but that donât mean I never loved you.â
But she never came back.
All Jimmy Ray could say was, âYour mama had a hole in her that love couldnât plug.â
And Dagmar inherited it.
All these years later, the heartbroken girl inside of her still waits for her motherâs return. Thatâs why sheâs put her face on the billboards. Thatâs part of the reason she stays. If she left, her mother wouldnât know where to find her. Besides, where would she go? Like it or not, The Dream Café is her home.
âCome join the fun!â it says on the back of the matchbooks. And fun is what Dagmar feels she sells. Twenty-four hours a day. Seven days a week. Three hundred sixty-five days a year. âWe are the Wal-Mart of fun,â she tells anyone whoâll listen, and nearly believes herself, even though itâs clear by the look on her face that itâs difficult for her to watch the dancers at work, difficult for her to see the calloused hands of the men who sit up close.
âSheâs got no stomach for it,â the dancers say among themselves. Some say it with pity because they know that sheâll eventually close the place and that would be a shame. In towns like Whale Harbor jobs are scarce. You do what you can. What thereâs a market for. Whatâs more or less legal.
Thereâs a club near Orlando that does Shakespeare in the nude because the town has an ordinance that says that nudity is legal in legitimate theater. âTo be or not to be,â never had so many layers of meaning before.
But thatâs the way it is in Florida. Itâs paradise. The visitors want fun. Thatâs what they pay for. Theyâre gonna have fun if it kills them. Or you. Or both.
So itâs 6 A.M. on Christmas morning and The Dream Café is open for business, but it doesnât seem that thereâs much fun to be had. A handful of truck drivers sit at the edge of the stage. Theyâre not regulars, but Dagmarâs seen them once or twice before.