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Immacolata said. ‘Even in its sleep, it knows.’
    Had he had the words to persuade her from her fear she would have been contemptuous of them. Instead, he played the pragmatist.
    ‘The sooner we find the carpet and dispose of it the happier we’ll all be,’ he said.
    The response seemed to stir her from the wilderness.
    ‘Maybe in a while,’ she replied, her eyes flickering towards him for the first time since they’d stepped off the street. ‘Maybe then we’ll go looking.’
    All sign of the menstruum had abruptly vanished. The moment of doubt had passed, and the old certainty was back. She would pursue the Fugue to the end, he knew, as they had always planned. No rumour – even of the Scourge – would deflect her from her malice.
    ‘We may lose the trail if we don’t hurry.’
    ‘I doubt that,’ she said. ‘We’ll wait. Until the heat dies down.’
    Ah, so this was to be his punishment for that ill-considered touch. It was his heat she made mocking reference to, not that of the city outside. He would be obliged to wait her pleasure, as he had waited before, and bear his stripes in silence. Not just because she alone could track the Fugue by the rhythm of its woven life, but because to wait another hour in her company, bathing in the scent of her breath, was an agony he would gladly endure.
    For him it was a ritual of crime and punishment which would keep him hard for the rest of the day.
    For her, the power his desire lent her remained a diverting curiosity. Furnaces, after all, grew cold if left unstoked. Even stars went out after a millennium. But the lust of Cuckoos, like so much else about that species, defied all the rules. The less it was fed, the hotter it became.

V

    BEFORE THE DARK
    1
    n all, Suzanna had probably met her maternal grandmother less than a dozen times. Even as a child, before she’d fully understood the words, she’d been taught that the old woman was not to be trusted, though she could not remember ever hearing a reason offered as to why. The mud had stuck however. Though in her early adulthood – she was now 24 – she had learned to view her parents’ prejudices with a critical eye, and come to suspect that whatever their anxiety regarding her grandmother it was likely to be perfectly irrational – she could nevertheless not entirely forget the mythology that had grown up around Mimi Laschenski.
    The very name was a stumbling block. To the ear of a child it sounded more like a faery-tale curse than a name. And indeed there had been much about the woman that supported such a fiction. Suzanna remembered Mimi as being small, with skin that was always slightly jaundiced, her black hair (which with hindsight, was probably dyed) drawn back tightly from a face which she doubted capable of a smile. Perhaps Mimi had reason for grief. Her first husband, who had been some sort of circus performer, had disappeared before the Great War; run away, the family gossip went, because Mimi was such a harridan. The second husband, Suzanna’s grandfather, had died of lung cancer in his early forties; smoked himself to death. Since then the old woman had lived in increasingly eccentric isolation, alienated from her children and grand-childrenalike, in a house in Liverpool; a house to which – at Mimi’s enigmatic request – Suzanna was about to pay a long-delayed visit.
    As she drove North she turned over her memories of Mimi, and of that house. She recalled it being substantially larger than her parents’ place in Bristol had been; and darker. A house that had not been painted since before the Flood, a stale house; a house in mourning. And the more she remembered, the gloomier she became.
    In the private story-book of her head this trip back to Mimi’s was a return to the mire of childhood; a reminder not of blissful, careless years, but of an anxious, blinkered state from which adulthood had liberated her. And Liverpool had been that state’s metropolis; a city of perpetual dusk, where