divided into plots, and here and there they would place little lead pieces depicting crosses and pitchforks. It was as if they were caught up in an achingly slow game that had started years earlier, the rules having been lost somewhere along the way.
An iron hand came down on my shoulder.
“Not there,” said the monk who had let me in. “Downstairs.”
He pushed me impatiently, and I nearly fell down the well-worn stairs.
Father Razin, head of the White Penitents, the most fanatical branch of the Dominicans, was sitting behind a desk. His clawlike hand snatched the documents from me. He read them in a wink, then scrawled a few lines on a sheet of paper.
“This wax seal had better remain intact. We’ve already lost three messengers to blunders or betrayal.”
It was late and the courts would be empty: I would have to deliver the message the next morning. I took the letter to my room and slipped it under my pillow. The minute I did, I heard a thunderous voice from a faraway castle order me to open it.
It was a tremendous risk, but I had worked with similar seals before. First, I used molten lead to make a mold of the seal, and then I broke it, peeling it off the page with a fine stiletto. Finally, a steam bath with eucalyptus leaves opened the letter.
Razin’s handwriting had nearly torn the paper:
Report to Paris regarding news in this matter. The Lord has blessed us with a rash of miracles; the name Marc-Antoine can no longer be tarnished. Our problem now is the woman Girard received from Switzerland. He is using her as an attraction at Bell Manor. No other creature of Von Knepper’s is to be allowed in the Kingdom of France. I need two men you trust. I will take care of the rest. Evil uses angelic means; good now needs diabolical means
.
I melted wax and filled the mold I had made, then replaced the seal. Once it was dry, I patiently filed it to eliminate any possible imperfection.
Tellier’s impatience worked in my favor: he broke the seal without even looking.
“It smells of eucalyptus” was all he said after reading the letter.
“I left early to go for a walk and got lost in the woods.”
Tellier handed me several coins that appeared dull, as if blackened by smoke. These were just the key I needed to gain entrance to Bell Manor.
The Bronze Bell
A tall guard stood silently at the door, waiting for a password it took me a few seconds to guess: I showed him the money I had brought.
“Is this enough for the woman in the top window?”
He said nothing but stepped aside to let me pass.
Five men sat in worn, red velvet armchairs, waiting their turn for rooms and women. They sat in darkness, as withdrawn as monks, not a hint of lust in their postures, only boredom, shyness perhaps, a pale imitation of dignity. Each one was wearing a mask: a dog, a rabbit, a bear. During Carnival, people find pleasure in hiding their faces and showing their masks, but the men there seemed to want to hide their disguises, too, as if the chosen animal might reveal something of their identity. I was given a bear mask and told to wait in a corner.
Every once in a while a dwarf would come into the waiting room and ring a bronze bell in the face of the chosen, then lead him away. The little bell was an exact replica of the one outside the front door and sounded muffled, as if it were under water. We all waited anxiously to hear the dwarf’s footsteps; well aware of our interest, he would stomp down each oak stair.
I had started to nod off when the bell woke me and the dwarf’s white face was in front of mine. We climbed several flights of stairs to the top floor. My guide opened a leather bag and had me deposit all of the money I had brought. Then he let me in and closed the door behind me.
The first thing I saw was a folding screen, decorated with what could have been women or dragons, depending on the light. I walked around it and saw a large bed; the woman was lying in it, gold and black shell-patterned sheets