now. You go on to bed.â
Sam went; Gamadge sat down on the chair he had vacated, and lighted a cigarette. When he looked up, Mitchellâs small blue eyes were on him.
âYou know any of these people well, Mr. Gamadge?â he asked.
âI met the Cowdens last night, for the first time. The Barclays I know as summer acquaintances.â He added, âI donât think there was anything the matter with their cocoa, Mitchell. I donât think Mrs. Cowden meant that there was.â
âThe boy being tired, and sick, anyway, it might have upset him. That the idea?â
âI think that was the idea.â
âOf course we have to have an inquest.â Mitchell spread out his hands, and contemplated his square fingers.
âI suppose you do.â
âOur medical examiner seems to think that the deceased died of this heart trouble he had.â
âAnd fell off the cliff during the attack?â
âYes. Weâd like to get hold of some kind of a working theory about why he went down there, in his condition, at that time of night.â
âThat cigarette-case business certainly points to a planned affair.â
âI donât think thereâs any doubt but what it was. There seems to be some idea in the family that he was going for good.â
âReally? Going where?â
âUp to a place called Seal Cove, where they have a summer theatre. He has a cousin up there.â
âSo he told me. He was interested in the place. Butââ
âSanderson tells me he was planning to go up to-day. You know he was having his twenty-first birthday?â
âYes; I heard about that.â
âAll of it?â
âIf you mean the financial situation, the Barclays told me about it last night.â
âNot much of a birthday,â said Mitchell, again spreading his hands and examining the fingers.
âAnd he was looking forward to it, too.â
âWas, was he?â
âAll kinds of plans. He was going to sign his will, to-day.â
âItâs missing.â
âIs it, really? He put it in his pocketâI saw him; if that was the document he showed Fred Barclay.â
âIf it ainât there,â Mitchell jerked his head towards the pigskin dressing case; âit ainât anywhere.â
âHow very odd.â
âYouâd think heâd take a thing like that case with him, if he was going off for good.â
âHe wouldnât have been able to carry anything, Mitchell. I know heâd never think of such a thing. But if he was going off for good, and didnât want his family to know it, why did he struggle through that cigarette-case comedy with Sam, instead of quietly decamping by way of the fire escape? Itâs only one flight down, and the dining-room and kitchens are at that end of the hotel. Not a soul would have seen him.â
âHe might not have known about the fire escape; and even if he did, he had a good reason for not going that way. Heâd have had to pass his tutorâs room, his sisterâs room, and his auntâs room; and even if they were in bed, the transoms were open.â
âThey were; I saw them.â
âAnd those people hadnât hardly time to get to bed, much less to sleep. One squeak out of his shoes, or anything like that, and the trip was off.â
âSo it was.â
âIâm going into all this, Mr. Gamadge, for two reasons. First, they think this cousin of his, Atwood, must have planned to drive down from the Cove, last night, and meet him at the cliff, and take him up there to that summer theatre. âThe Old Pier Playersâ; thatâs what the name is. Now, this Atwood hasnât come forward; so Iâm going up there to see him. If there was any kind of an accident, down on the rocks, he may not want to admit being there; but we found a folding cheque book in the boyâs pocket, and one of the cheques in it was made