won't do you any good to draw this
business out, Clyde.''
``What gave you that ide--''
Then he said the thing I'd been dreading, and put out the last tiny flicker of hope at
the same time. `Ì know all your
ideas, Clyde. After all, I'm you.''
I licked my lips and forced myself to speak; anything to keep him from yanking that
zipper. Anything at all. My voice
came out husky, but at least it did come out.
``Yeah, I noticed the resemblance. I'm not familiar with the cologne, though. I'm an
Old Spice man, myself.''
His thumb and finger remained pinched on the zipper, but he didn't pull it. At least
not yet.
``But you like this,'' he said with perfect assurance, `ànd you'd use it if you could
get it down at the Rexall on the
corner, wouldn't you? Unfortunately, you can't. It's Aramis, and it won't be invented
for another forty years or so.'' He
glanced down at his weird, ugly basketball shoes. ``Like my sneakers.''
``The devil you say.''
``Well, yes, I suppose the devil might come into it somewhere,'' Landry said, and he
didn't smile.
``Where are you from?''
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`Ì thought you knew.'' Landry pulled the zipper, revealing a rectangular gadget made
of some smooth plastic. It was
the same color the seventh-floor hall was going to be by the time the sun went down.
I'd never seen anything like it.
There was no brand name on it, just something that must have been a serial number: T 1000. Landry lifted it out of its
carrying case, thumbed the catches on the sides, and lifted the hinged top to reveal
something that looked like the
telescreen in a Buck Rogers movie. `Ì come from the future,'' Landry said. ``Just
like in a pulp magazine story.''
``You come from Sunnyland Sanitarium, more like it,'' I croaked.
``But not exactly like a pulp science-fiction story,'' he went on, ignoring what I'd
said. ``No, not exactly.'' He pushed a
button on the side of the plastic case. There was a faint whirring sound from inside
the gadget, followed by a brief,
whistling beep. The thing sitting on his lap looked like some strange stenographer's
machine . . . and I had an idea that
that wasn't far from the truth.
He looked up at me and said, ``What was your father's name, Clyde?''
I looked at him for a moment, resisting an urge to lick my lips again. The room was
still dark, the sun still behind some
cloud that hadn't even been in sight when I came in off the street. Landry's face
seemed to float in the gloom like an
old, shrivelled balloon.
``What's that got to do with the price of cucumbers in Monrovia?'' I asked.
``You don't know, do you?''
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`Òf course I do,'' I said, and I did. I just couldn't come up with it, that was all-it was stuck there on the tip of my
tongue, like Mavis Weld's phone number, which had been BAyshore something-or-other.
``How about your mother's?''
``Quit playing games with me!''
``Here's an easy one--what high school did you go to? Every red-blooded American man
remembers what school he
went to, right? Or the first girl he ever went all the way with. Or the town he grew
up in. Was yours San Luis
Obispo?''
I opened my mouth, but this time nothing came out.
``Carmel?''
That sounded right . . . and then felt all wrong. My head was whirling.
`Òr maybe it was Dusty Bottom, New Mexico.''
``Cut the crap!'' I shouted.
``Do you know? Do you?''
``Yes! It was--''
He bent over. Rattled the keys of his strange steno machine.
``San Diego! Born and raised!''
He put the machine on my desk and turned it around so I could read the words floating
in the window above the
keyboard.
``San Diego! Born and raised!''
My eyes dropped from the window to the word stamped into the plastic frame surrounding
it.
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``What's a Toshiba?'' I asked. ``Something that