so I ended the conversation with Marco and switched over to find Nikki waiting to update me.
âIâm about to head for the hospital,â she said, âbut I wanted to let you know that your little tabby has been dozing for most of the day and seems to be doing very well. So, howâs my Simey-wimey?â
âLoving the attention from the customers. Heâs quite a ham.â
âIâm glad he isnât causing trouble.â
I decided to save the fern story for later and instead tell her about my missing employee.
âOh, wow,â Nikki said. âThatâs weird for Grace not to at least call. As soon as I get to the hospital, Iâll check to make sure she hasnât been brought in.â
âThanks, Nikki. Iâm really starting to worry.â
I went back to work, dividing my time between waiting on customers and slipping into the workroom to fill orders. Nikki phoned later to let me know Grace was not at the hospital; then Marco phoned to say that heâd left a voice mail for Reilly. Lottie tried again to reach Grace on her mobile and at home, but no luck there, either.
Where was Grace?
CHAPTER FOUR
W hen my mom arrived at three thirty with a big cardboard box in her arms, the poetesses were gone, and the shop was quiet. Normally, the sight of my mother carrying in a box was enough to send all of us running for cover, because most of her projects were unmitigated disasters. For instance, sheâd once made beaded jackets using one-inch wooden beads. Not only were the jackets uncomfortable, but they also rolled right off the shoulders onto the floor.
Then there were her humongous feathered hats made with neon-colored feathers, the dyes of which ran down the wearerâs face when the weather turned muggy or wet. And there was the hideous footstool, modeled after an actual human foot, down to the hairs on the toes.
Today, however, Mom and her carton of unknown horrors were a welcome distraction.
âI canât wait to show you what I made,â she said, her cheeks flushed with excitement.
âLet me help you with that box, Mom,â I said, taking it from her arms. âYou must be exhausted after teaching all day. Why donât you sit here and rest?â I placed the container on the wicker settee next to the umbrella plant and patted the cushion.
âAre you being solicitous because of the injured tabby you mentioned this morning?â she asked.
âNo!â Not my only reason, anyway.
âBecause if you are, let me clarify this right now. I donât want any more animals to care for. A llama is more than enough for your dad and me to handle.â
âI know that. I just want you to be comfortable.â
Eyeing me skeptically, Mom took off her tan-colored spring coat and sat down. She was wearing one of her standard teacher outfitsâa powder blue pullover sweater with brown slacks and brown flats. She kept her light brown hair chin length, framing her soft features and peaches-and-cream complexion, which, unlike mine, had not one freckle on it. I was my dadâs daughter all the way: red hair, freckled skin, and a short temper.
âTechnically, however,â I said, âthe llama lives outside the house in his heated barn. Pets live inside.â
âHeâs still a pet, Abigail. And donât forget, we had cats for years while you kids were growing up. Iâm done with litter boxes now and into a new phase of my life. Please respect it.â
Well, fine. Iâd find someone else to love little Tabitha.
Oh, no! Had I just named her?
âBefore I show you what I brought,â she said, âremember the trip your dad and I took to Florida last winter? Remember me telling you that collecting seashells was passé and the big thing was sea glass?â
âWhatâs sea glass?â Lottie asked, bringing in an armful of red roses to restock the display case.
âTheyâre shards of old
Stefan Zweig, Anthea Bell