huh? What for? I think I donât want to know.â
Payaso was short for clown. It also meant C.J. was definitely in a quirky mood.
âTalk to me, man. Whatâs the story?â
Ben studied C.J.âs broad face and his set of white teeth that were a hair too large for his mouth, causing the left side of his grin to swerve upward when he was in this taunting mode. Coupled with the cocky way he was swinging his shoulders, the message was clear. Ben was in for a bit of horseplay, provided he could stick it out.
Standing directly in front of him now, raising his voice over the din of the Pier and the kids shrieking in the background, Ben offered an offhanded hint as to what he was after. C.J. raised an eyebrow and began easing his stiff muscles.
Twisting and holding it for about twenty counts, C.J. kept up his end of the conversation. He remarked about some previews flashing up on the TV screens at Benâs pseudo-cousin Irisâ gym the other day while he was working out on the punching bag. As usual, C.J. noted how dumb most police shows were, the old ones and the new ones as well. And that went for the movies too. Scoffing at this particular promo, he pointed out that âno self-respecting cop would let some muchacha distraido tag along on a stakeout.â
Ben agreed, still without a clue what C.J. actually did on his Hollywood beat amidst the swarming tourists. While undercover, his bailiwick could be organized crime, homicide, all manner of theft and swindling. It could be anything and everything.
âOye, carnal,â C.J. said, bending over, touching his toes. âCarnalâ was short for dude and signaled todayâs horseplay would include put-downs and a little sparring. âWhen you going to ditch that nice schoolboy outfit? What is that shirt, what are those payaso khaki pants? Where is the tan, man?â Â
âI lost it.â
âYou never had it. Swim, do something before you get sin vidaâmuerto. Use Irisâ gym; three times a week, not once in the blue moon.â
âUh-huh.â
âWork out, not just under her sheets.â
âLook, I use the spare room, okay?â
âSure, sure,â said C.J. straightening up, shadow boxing and then landing a soft left jab to Benâs shoulder. âDame un tiempo.â
âGive you a break? Give me a damn break.â Ben held out his palms, warding off a few blows to his face as C.J. kept pulling his punches.
âListen, you tell me she is not a real cousin, so what is the matter with you? Â No lead in the pencil? Lo siento.â
Reluctantly taking the cue and teasing him back, Ben said, âHey, just âcause your mom worked some cantina doesnât mean everybodyâs hot to trot.â
C.J. feinted with his right and grazed Benâs ribcage with a left.
âNo te atrevaz a llamar mi madre una puta,â said C.J. faking a couple of left hooks and just missing with a roundhouse right.
His palms stinging trying to protect his face, Ben shuffled backwards toward the parked cars, amazed at the number of youngsters gathering round C.J., egging him on.
âHey, cool it down. Â I did not call her a hooker. I was only ...â
Another roundhouse right and a practice left and right cross as Ben continued to peddle backwards.
Flinching, Ben yelled out, âWhat are you, getting serious? Brilliant. This is what I get.â Â
âFor what?â said C.J. dancing around on the balls of his feet, dodging and weaving.
âHow about helping you with your English so you wouldnât sound so damn stupid?â
âOh, yes?â said C.J., peppering Benâs hands again with a barrage of left jabs.
âAnd showing you the ropes around your ...â Â Ben was about to say âHollywood beatâ but cut himself short.
C.J. dropped his hands and stopped moving. âOkay. And I show you how to defend yourself and what happens? Â Oye, cabron, you hold
Jacqueline Diamond, Marin Thomas, Linda Warren, Leigh Duncan
Diane Duane & Peter Morwood
Georges Simenon; Translated by Ros Schwartz