Onlyâshe wonât.â
âNo, I wonât,â said Sheila. âI wonât ruin your life, Charley. Or mine for that matter.â Her lips flattened, and Charley looked miserable. âYouâll hate me for this, Mr. Queen. My motherâs an old woman, a sick old woman. Dr. Innis canât help that awful heart of hers, and she wonât obey him, or take care of herself, and we canât make her. . . . Mother will die very soon, Mr. Queen. In weeks. Maybe days. Dr. Innis says so. How can I feel anything but relief at the prospect?â And Sheilaâs eyes, so blue and young, filled with tears.
Ellery saw again that life is not all caramel candy and rose petals, and that the great and hardy souls of this earth are women, not men.
âSometimes,â said Sheila, sniffing, âI think men donât know what love really is.â She smiled at Charley and ruffled his hair. âYouâre a jerk,â she said.
The roadster nosed along in traffic, and for some time none of them spoke.
âWhen Mother dies, Charley and Iâand my dad, and the twinsâweâll all be free. Weâve lived in a jail all our livesâa sort of bedlam. Youâll see what I mean tonight. ⦠Weâll be free, and weâll change our names back to Brent, and weâll become folks again, not animals in a zoo. Thurlowâs furious about the name of Brentâhe hates it.â
âDoes your mother know all this, Sheila?â frowned Ellery.
âI imagine she suspects.â Sheila seized her young manâs arm. âCharley, stop here and let me out.â
âWhat for?â demanded Charley suspiciously.
âLet me out, you droogler! Thereâs no point in making Mother madder than she is already. Iâll cab home from here, while you drive Mr. Queen into the groundsâthen Mother can only suspect Iâve been seeing you on the side!â
âWhat in the name of the seven thousand miracles,â demanded Ellery as he got out of his hostâs roadster, âis that?â
The mansion lay far back from the tall Moorish gates and iron-spiked walls which embraced the precious Potts property. The building faced Riverside Drive and the Hudson River beyond; between gates and house lay an impressive circle of grass and trees, girded as by a stone belt with the driveway which arched from the gates to the mansion and back to the gates again. Ellery was pointing an accusing finger at the center of this circle of greenery. For among the prim city trees stood a remarkable objectâa piece of bronze statuary as tall as two acrobats and as wide as an elephant. It stood upon a pedestal and twinkled and leered in the setting sun. It was the statue of an Oxford shoe. A shoe with trailing laces in bronze.
Above it traced elegantly in neon tubing were the words:â
THE POTTS SHOE
$3.99 EVERYWHERE
4 . . . She Gave Them Some Broth without Any Bread
âItâs a little early for dinner,â said Charley, his robust voice echoing in the foyer. âDo you want to absorb the atmosphere first, or what? Iâm your man.â
Ellery blinked at the scene. This was surely the most wonderful house in New York. It had no style; or rather, it partook of many styles, borrowing rather heavily from the Moorish, with Gothic subdominant. It was large, large; and its furnishings were heavy, heavy. There was a wealth of alfresco work on the walls, and sullen, unbeautiful hangings. Knights of Byzantium stood beside doorways stiffly on guard against threats as empty as themselves. A gilded staircase spiraled from the foyer into the heaven of this ponderous dream.
âLet me take the atmosphere in bits, please,â said Ellery. He half-expected Afghan hounds to come loping out of hidden lairs, bits of rush clinging to their hides, and Quasimodos in nut-brown sacking and tonsured pates to serve his shuddering pleasure. But the only servant he had seen, an oozy
Elmore - Carl Webster 03 Leonard