and the triplets.
“When I got my apartment I thought this is what it was meant to be,” she said thirty-one years later. “I never lookedany further than here. It wasn’t like it is now. The grass was greener. We had light poles on the front of the building. We had little yellow flowers. We had it all. I really thought this was it. And I never knew, until I lost it all, that it wasn’t.”
By 1987, the thirty-four acre Henry Horner complex wasn’t the largest of the city’s nineteen public housing developments. That title went to the two-mile long Robert Taylor Homes, which was home to fifteen thousand people. Nor was Henry Horner the most dangerous. That distinction alternately went to Rockwell Gardens, a neighboring complex, and Cabrini-Green, which in 1981 was the site of so many shootings—eleven killed and thirty-seven wounded in the first two months—that the city’s mayor, Jane Byrne, chose to move in. Along with a contingent of police and bodyguards, she stayed for three weeks to help restore order. Some, including LaJoe, viewed the move as gutsy and brave. But that single act by Byrne, more than any murder or plea for help, highlighted the isolation and alienation of these poor, mostly black inner-city islands. It was as if the mayor, with her entourage of police, advisers, and reporters, had deigned to visit some distant and perilous Third World country—except that Cabrini-Green sat barely eight blocks from the mayor’s posh Gold Coast apartment.
Henry Horner’s buildings range from seven to fifteen stories and cover eight blocks. The architect surely had an easy time designing the development, for it is only one block wide, leaving little room for experimentation with the placement of the high-rises. The buildings, with a few exceptions, line each side of the block, leaving the corridor in between for playground equipment, basketball courts, and parking lots. A narrow street once cut through the development’s midsection, but that has long since been displaced and is now part of the concrete play area. At first that pleased the parents, who worried about their children getting hit by speeding cars, but later it served to isolate parts of the complex even more, making it easier for criminals to operate with impunity.
In the summer of 1987, six thousand people lived at Horner, four thousand of them children. They would quickly tell you that they dared not venture out at night. At Horner, for everyone thousand residents there were approximately forty violent crimes reported, a rate nearly twice that of Chicago’s average.
Inside their apartment’s hallway, Lafeyette and Pharoah huddled on the floor, sweating in the early July heat. Pharoah shook with each gun pop, his big eyes darting nervously from one end of the long hallway to the other. He clutched a garbage bag filled with aluminum cans he’d collected; his small body was curled up against the security of the cool concrete wall.
The muscles in Lafeyette’s face tensed. He had his hands full, watching over Pharoah and the triplets. The young ones knew enough to stay in the windowless corridor away from possible stray bullets, but they chattered and fought until Tiffany, too restless to sit still for long, stood up. Lafeyette shoved her back down.
“We wanna go,” whined Tiffany.
“Be quiet,” admonished her brother. “You crazy?”
The narrow hall of their four-bedroom apartment had become their fallout shelter. Stray bullets had zipped through their apartment before, once leaving two holes the size of nickels in the olive-green living room curtains. Another time a bullet found its way into the hallway; it had traveled through a bedroom window and the bedroom door, missing Terence by inches. The children now knew enough to sit away from the doorways.
The five children squatted on the musty floor long after the shooting subsided. LaJoe, who huddled with them, could sit still no longer. Wearing a T-shirt that read WIPE OUT GRAFFITI