the bridges by the lake,
experienced a feeling of light-heartedness. Such and similar matters are set down
for us in the most economical manner on a couple of pages. Of the walk itself, we
learn nothing and nothing about what he may have pondered in his mind as he walked.
The only occasion on which I see the traveller Robert Walser freed from the burden
of himself is during the balloon journey he undertook, during his Berlin years, from
Bitterfield––the artificial lights of whose factories were just beginning to
glimmer––to the Baltic coast. "Three people, the captain, a gentleman, and a young
girl, climb into the basket, the anchoring cords are loosed, and the strange house
flies, slowly, as if it had first to ponder something, upward…. The beautiful
moonlit night seems to gather the splendid balloon into invisible arms, gently and
quietly the roundish flying body ascend and … hardly so that one might notice,
subtle winds propel it northward." Far below can be seen church spires, village
schools, farmyards, a ghostly train whistle by, the wonderfully illuminated course
of the Elbe in all its colors.
"Remarkably white, polished-looking plains alternate with gardens and
small wildernesses of bush. One peers down into regions where one's feet would
never, never have trod, because in certain regions, indeed in most, one has no
purpose whatever. How big and unknown to us the earth is!" Robert Walser was, I
think, born for just such a silent journey through the air. In all his prose works
he always seeks to rise above the heaviness of earthly existence, wanting to float
away softly and silently into a higher, freer realm. The sketch about the balloon
journey over a sleeping nocturnal Germany is only one example, one which for me is
associated with Nabokov's memory of one of his favorite books from his childhood.
In
his picture-book series, the black Golliwog and his friends––one of whom is a kind
of dwarf or Lilliputian person––survive a number of adventures, end up far away from
home and are even captured by cannibals. And then there is a scene where an airship
is made of "yards and yard of yellow silk … and an additional tiny balloon […]
provided for the sole use of the fortunate Midget. At the immense altitude," writes
Nabokov, "to which the ship reached, the aeronauts huddled together for warmth while
the lost little soloist, still the object of my intense envy notwithstanding his
plight, drifted into an abyss of frost and stars––alone." 3
––TRANSLATED BY JO CATLING
1. Walter Benjamin.
"Robert Walser," in
Selected Writings: vol 2. 1927-34
(Harvard).
2. Vladimir Nabokov,
Nikolai
Gogol
(New Directions).
3. Vladimir Nabokov,
Speak,
Memory
(Random House).
The Tanners
–1–
One morning a young, boyish man walked into a bookshop and asked to
be introduced to the proprietor. His request was granted. The bookseller, an
old
man of quite venerable appearance, gave a sharp glance at the one standing
rather shyly before him and instructed him to speak. “I want to become a
bookseller,” said the youthful novice, “I yearn to become one, and I don’t know
what might prevent me from carrying out my intentions. I’ve always imagined the
trade in books must be an enchanting activity, and I cannot understand why I
should still be forced to pine away outside of this fine, lovely occupation.
For
you see, sir, standing here before you, I find myself extraordinarily well
suited for selling books in your shop, and selling as many as you could possibly
wish me to. I’m a born salesman: chivalrous, fleet-footed, courteous,
quick, brusque, decisive, calculating, attentive, honest—and yet not so
foolishly honest as I might appear. I am capable of lowering prices when a poor
devil of a student is standing before me, and of elevating them as a favor to
those wealthy individuals who, as I can’t help