back.
“Where?”
“In the house.”
The voice died away and Aunt Fanny, tangled in mist now, began to cry helplessly. “Fancy,” she said.
“Aunt Fanny,” but it came from far away.
Stumbling, Aunt Fanny went forward, hands out, and touched marble, but it was warm and she took her hand away quickly; hideous, she thought, it’s been in the sun. Then she thought, why, this could be the summer house and I am only turned around; we could have strayed from the path and come into the garden by another way and that would be why it looked strange; this is certainly the summer house and it is silly of me to cry and stumble and be frightened. I shall go into the summer house, she thought, and sit down quietly on the bench, and when I have recovered myself I shall either call until Fancy finds her way to me—the wicked girl, to run away so—or I shall wait until this mist clears a little—and it must , of course; it is an early morning mist, a trifle; the sun will sweep it away; I have been in fogs many times worse than this and never been frightened; it was only because it was unexpected; I shall sit in the summer house until I am able to go on.
For a minute she stood very still with her eyes closed, trying to remember precisely the secret garden so that she might go into the summer house correctly in the mist. I must not fall down, she thought, because I shall not be able to get up again; if I fall down it will really be quite serious; I would have to call for help.
“Fancy,” she called, “Fancy!”
Moving blindly, trying, although she could not, to watch her feet, trying not to stumble, she moved carefully and with extreme slowness around the summer house, remembering distinctly the pillars, the dark bushes on all sides, the four poplars around, the two low marble steps. If I sit in the summer house in the secret garden, she was telling herself reassuringly, if I go into the summer house from the secret garden, if I go into the summer house through the secret garden, I need only take four steps across the marble floor, four small steps across the marble floor and from the other side of the summer house I can look out over the long lawn and up the far lawn and past the pool and I will see the sundial and then the house. If I get into the summer house even the mist cannot stop me from seeing the house, and I can go down the two low marble steps on the other side and out onto the lovely long lawn and go straight, right down the middle of the lawn, even through mist, past the sundial, and go to the house.
Fancy, she realized, had probably gone that way already. Fancy was almost surely halfway home.
She stumbled, and put out her hand to catch herself against the marble pillar, but the mist cleared briefly and she saw that she had caught hold of the long marble thigh of a statue; standing soberly on his pedestal, the tall still creature looked down on her tenderly. The marble was warm, and Aunt Fanny drew her hand back and screamed “Fancy, Fancy!” There was no answer, and she turned and ran madly, putting her feet down on flowers and catching herself against ornamental bushes; “Fancy!” she screamed, taking hold of an outstretched marble hand beside her, “Fancy!” stopping just short of a yearning marble embrace, “Fancy!” and turned away crazily from a marble mouth reaching for her throat.
“Aunt Fanny?”
“Fancy! Where are you?”
“In the house.”
“Please come back, Fancy; please come back.” She was by a marble bench. Its back and sides were stained and uncared-for; there was a crack running clearly down one leg, there were dead leaves lying along the seat and heaped in the corners. Thankfully Aunt Fanny sat down; the bench was warm, and she moved, huddling herself together, sitting only on the edge of the bench. This is unspeakable, she thought; am I in the family graveyard? Why is this happening?
Unexpectedly, she thought of Essex—the path gets narrower all the time, she told
Mortal Remains in Maggody