a few bare feet above the trees, a sheet of spun sugar frozen gray in fading light. The leaves on the ground, broken bulbs of stained glass colors, are covered with a patchy dusting of snow. On either side of the stream, connected by a pair of old stone bridges fifty yards apart, lies the small village of Pimonta. There are perhaps twenty houses all told, though nearly a dozen of these appear solely for summer use or abandoned altogether. Next to one squats the hulk of a very old Buick, its oxidized shell now the color of a thundercloud. A few vehicles sit in other driveways, rugged types suggesting their owners are the owners of several children and at least one dog. It is very quiet, apart from the noise of the stream, which has been flowing for so long that its clamor is more of a color than a sound. Smoke slips sluggishly out of a few chimneys, including those of the Pimonta Inn, arefined bed-and-breakfast that backs onto the river and which is almost full in this last week of the foliage season.
A man stands on one of the bridges, leaning against the wall and looking down at the tumbling water. His name is John Zandt. He is a little under six feet tall, and wearing a thick coat against the cold. The coat accentuates his shape, which is compact and broad-shouldered. He looks like a man who could carry a pair of suitcases a long way or hit someone extremely hard. Both are true. His hair is short and dark, his features harsh but well-arranged. There is a two-day growth of stubble on his chin and cheeks. He has stayed for the last week at the Pimonta Inn, living in a suite consisting of a bedroom, a bathroom, and a small sitting room with a wood fire, all of which is expensively comfortable in an unkempt country style. He has spent the days walking in the mountains and valleys in the area, avoiding the marked trails, with their straggles of brightly clad hikers fretting about bears. Sometimes he has found the vestiges of old homesteads, now little more than piles of dark wood strewn amongst the undergrowth. There are no echoes to be heard, no matter how long you stand and listen, and places that were once by a path have become uncharted again. The roads found different routes, turning some spots into destinations and leaving others as wilderness, perhaps forever.
Zandt likes to sit in these places a while, considering how it might have been. Then he starts walking again, walking until he is tired and it is time to return to the inn. In the evenings he has sat in its cozy sitting area, politely avoiding conversation with other guests and the establishment’s proprietors. The books in the small library speak of ossification and contentment. Perhaps forty people have nodded at him in the last couple of weeks, without learning his name or being able to describe him in any detail.
After the evening meal, which has generally been excellent if slow in coming, he has returned to his suite, builta fire, and stayed up as long as he can bear it. He has been dreaming a great deal recently. Sometimes the dreams are of Los Angeles, of a life that is gone for good and therefore cannot be escaped. In the past he has tried both alcohol and heroin, but found neither of much help even in great excess. These days he simply wakes and lies on his back, waiting for morning, thinking of emptiness. He has never tried to kill himself. It is not in his nature. If it was, he would already be dead.
Now, as he leans on the wall of the bridge in the fading light, he is considering what to do next. He has money, some of it the remnants of a summer of hard manual work. He thinks that it is perhaps time for him to get back in the saddle, and head to a city. Maybe somewhere down South, though he has found that he likes the cold and the dark forests. His motivation is hampered by the fact that he has no special need for more cash, or any desire to do anything with that he already has. Also that after a life spent amongst buildings, they have suddenly
Dorothy Salisbury Davis, Jerome Ross