it, I mean. Itâs a well-established genre; you could fill a hundred galleries with them. But I find it moving. Thereâs no father. Did he die, and are they leaving his remains there? It asks questions. I suppose he might have gone on first, but somehow the figures suggest otherwise.â
Barrand gave him a knowing nod. âYou always did have an abundance of brains. Yes, there is a story. A family of five was planning to go to Granath Beta. Then the husband and the other two children were killed in a freak storm. She and the remaining child went on alone.â
He got up and went over to the painting, speaking quietly and intensely now. âItâs always been a challenge to me. It says a lot about faith. About what the Assembly is about. What our calling as a family is. Resolve. Faith. You know. All those things.
âIt is a well-established genre. But all genres are now.â He stared at the painting. âFunny business, the Assembly, when you think about it. All the emphasis on a stable, sustainable society. The caution over innovations.â
He nodded toward the horse grazing on some hay just in front of the window. âTake animals now. Like Blackmane there. Heâs a horse, but his genes are different from the first horse that left Earth. Or even that arrived here. Look at him: rounded extremities, reduced ears, nostril flaps, more recessed eyes, thicker hair, heavier hooves. He has adapted to this world with its cold and heat and dust.â
âOf course,â Merral said. âYou can hardly freeze adaptation. But whatâs your point?â
His uncle creased his large forehead in puzzlement. âMy point? Yes. Oh, I donât know. The paradox that we have frozen our culture, but that we have let life evolve. I know itâs not a new thoughtâwhat is after so long?âbut it has just struck me with some force.â
âBut, Uncle, the wisdom of the centuries is that the stable culture is best. You canât just let a culture evolve; certain limits must be defined. Long, long ago the Assembly decided the parameters in which human beings flourished and set them down. It was a choice; a fixed, conservative, and stable society over one that was open, fluid, and unpredictable.â
There was a deep silence as Barrand, his large frame totally dominating the room, stroked his beard in profound thought. Then he gave a grunt that seemed to indicate mystification.
âAbsolutely. What a strange idea for me to have.â He shook his head. âHo, to business! Oh, I donât need that cross section. Come and have a look at these maps and letâs switch into official mode, Forester DâAvanos.â
For half an hour they looked at the maps and imagery, and Merral listened intently as his uncle explained why he wanted to quarry the ridge outside the settlement rather than wait for a new access road to the already-planned quarry site fifteen kilometers to the north. Only he wasnât his uncle now. He was Barrand Imanos Antalfer, Frontier Quarrymaster, and he was presenting his case to Merral Stefan DâAvanos, Forester and head of the team that decided the citing of things such as quarries and forests. Funny, Merral thought, how we distinguish official and family discussions to the extent that it would now be unthinkable for him to call me Nephew and me to call him Uncle.
Eventually Barrand wound to a halt. âSo you see, Merral, we could start in the spring and save two years. And think of the energy saving in skipping that thirty-K round-trip. . . .â He trailed off, looking at Merral.
Merral rose to his feet, walked to the window, and looked out at the bare black ridge they had been talking about.
âBarrand,â he said, gesturing at the ridge, âletâs go and look at it.â
Zennia was free to come, and an hour later the three of them were standing on the rocky summit of the hill recovering their breath after the