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cursed him for a useless lafanga and haramzada and salah and even, in extremis, for being guilty of the impossible feat of fucking the sister he did not have. She spared him nothing, accusing him of being a creature of surfaces, like a movie screen, and then she went ahead and forgave him anyway and allowed him to unhook her blouse. Gibreel could not resist the operatic forgiveness of Rekha Merchant, which was all the more moving on account of the flaw in her own position, her infidelity to the ball-bearing king, which Gibreel forbore to mention, taking his verbal beatings like a man. So that whereas the pardons he got from the rest of his women left him cold and he forgot them the moment they were uttered, he kept coming backto Rekha, so that she could abuse him and then console him as only she knew how.
    Then he almost died.
    He was filming at Kanya Kumari, standing on the very tip of Asia, taking part in a fight scene set at the point on Cape Comorin where it seems that three oceans are truly smashing into one another. Three sets of waves rolled in from the west east south and collided in a mighty clapping of watery hands just as Gibreel took a punch on the jaw, perfect timing, and he passed out on the spot, falling backwards into tri-oceanic spume. He did not get up.
    To begin with everybody blamed the giant English stunt-man Eustace Brown, who had delivered the punch. He protested vehemently. Was he not the same fellow who had performed opposite Chief Minister N. T. Rama Rao in his many theological movie roles? Had he not perfected the art of making the old man look good in combat without hurting him? Had he ever complained that NTR never pulled
his
punches, so that he, Eustace, invariably ended up black and blue, having been beaten stupid by a little old guy whom he could’ve eaten for breakfast, on
toast
, and had he ever, even once, lost his temper? Well, then? How could anyone think he would hurt the immortal Gibreel? – They fired him anyway and the police put him in the lock-up, just in case.
    But it was not the punch that had flattened Gibreel. After the star had been flown into Bombay’s Breach Candy Hospital in an Air Force jet made available for the purpose; after exhaustive tests had come up with almost nothing; and while he lay unconscious, dying, with a blood-count that had fallen from his normal fifteen to a murderous four point two, a hospital spokesman faced the national press on Breach Candy’s wide white steps. ‘It is a freak mystery,’ he gave out. ‘Call it, if you so please, an act of God.’
    Gibreel Farishta had begun to haemorrhage all over his insides for no apparent reason, and was quite simply bleeding to death inside his skin. At the worst moment the blood began to seep out through his rectum and penis, and it seemed that at any moment it might burst torrentially through his nose and ears and out of the corners of his eyes. For seven days he bled, and received transfusions,and every clotting agent known to medical science, including a concentrated form of rat poison, and although the treatment resulted in a marginal improvement the doctors gave him up for lost.
    The whole of India was at Gibreel’s bedside. His condition was the lead item on every radio bulletin, it was the subject of hourly news-flashes on the national television network, and the crowd that gathered in Warden Road was so large that the police had to disperse it with lathi-charges and tear-gas, which they used even though every one of the half-million mourners was already tearful and wailing. The Prime Minister cancelled her appointments and flew to visit him. Her son the airline pilot sat in Farishta’s bedroom, holding the actor’s hand. A mood of apprehension settled over the nation, because if God had unleashed such an act of retribution against his most celebrated incarnation, what did he have in store for the rest of the country? If Gibreel died, could India be far behind? In the mosques and temples of the