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had been speaking. I take the hands that had earlier moved in the air and bid you move them on me. Later you will tell me again what you had earlier said, and I will listen then, I promise.
    But for now all I can say is that I apologize for wanting you, and in wanting you having you. And I apologize in advance for all the times I will want you between now and the end of our lives. If you can find it in your heart to forgive me I will make it worth your while, and will forgive you for all the times you will want me, and will accept your apologies, as you accept mine now.

SEVEN

Fear enters the room and sits down in a chair and with a polite smile asks to open negotiations. Fear is small and hard and patient, and duplicitous, because in asking to negotiate it knows I cannot refuse. I am obliged to accommodate Fear because I am human, and no human is without fear. Fear sits and smiles and is predatory, immobile and silent and serene; an observer who conserves his energy and is content to wait. We watch each other and take our measures, he to undo me and me to avoid being undone. We both sit and measure and stare. And then because I long for other company, I ask him to show me what I should fear.
    To begin he offers me the fear of death, and I laugh. I laugh because I know Death far too well to fear her. Death is my intimate and my companion; I am her messenger and handmaiden. We have walked too many worlds and have become too familiar; close acquaintances if not friends, because you can never befriend Death without embracing her, and for now I keep her at a safe and prudent distance. Even so I know her methods and her means and her agenda. I know her legendary capriciousness is overstated but that her inevitability is not. Death comes to us all, even those who have served her so well.
    It is foolish to fear the inevitable. I know I will die. Fearing Death will not make her come for me later and might send me to her sooner, when a blind rush from her sends me into her arms. I will not fear her and I will not fear going to her when it is time to do so. I tell Fear to show me something else.
    He shows me Pain, myriad as Death is singular, creative in his attention-seeking, and in his desire to overwhelm every scrap of consciousness. The most perfect of egotists.
    I am not impressed. Pain is a tool: a diagnostic instrument in one’s self, a lever in others, and in all things symbolic of something else that better deserves our attention. Pain may represent Death, who I refuse to fear. Pain may represent power, which I also refuse to fear; I am better than those who would use their power to make me fear them, power predicated on the assumption that I will do anything simply to exist. They presume to hold my life in trust; my regret as I would end my life would be that I would not be there as they realized how little power they had over me. I choose not to fear the things Pain represents, leaving pain a process, a signal, a firing of nerves to be endured.
    * * *

    Of course Fear knows all this. Knows that I fear neither Death nor Pain, or those who use either to divorce me from my will. This is what fear does: presents you with what you can bear, so that when he shows you what is unbearable, you will open wider to let him feed on your heart. I know this and even knowing this does not keep me from a moment of satisfaction, and the hope that Fear will step away from my table. Fear allows you a moment to hope that he doesn’t truly know what will break you. But he does, and he proves it to me by showing me you, and showing you without me.
    This is what I fear. And I confess that part of me hates you a little for it, hates that you have taken my life and so threaded it with yours that I can’t pull away without losing myself; I who had always been whole in myself but who now knows what she stands to lose in losing you.
    It is not your death I fear, or separation. We have been at war as long as we have known of each other.
    Death follows