The Refuge Song

Read The Refuge Song for Free Online

Book: Read The Refuge Song for Free Online
Authors: Francesca Haig
dawn, when the refuge itself came into view, walking toward it felt as though I was wading upstream through a river. In the growing light, we crept as close as we dared, until we were peering down at the refuge from a copse at the top of a rise only a hundred feet away.
    The refuge was bigger than I could have imagined—it was the size of a small town. The wall surrounding it was higher even than the wall the Council erected around New Hobart. More than fifteen feet high, it was built of brick rather than wood, with tangled strands of wire along the top like nests thrown together by monstrous birds. Within the wall, we could glimpse the tops of buildings, a jumble of different structures.
    Piper pointed to where a huge building loomed on the western edge. It took up at least half of the refuge, and its walls still had the yellow tinge of fresh-cut pine, bright against the weathered gray wood of the other buildings.
    â€œNo windows,” Zoe said.
    It was only a few syllables, but we all knew what it meant. Within that building, row upon row of tanks waited. Some would be empty, and some still under construction. But the sickness loitering deep in my gut left me in no doubt: many had already been filled. Hundreds of lives submerged in that thick, viscous liquid. The cloying sweetness of that fluid, creeping into their eyes and ears, their noses, their mouths. The silencing of lives, with nothing to hear but the hum of machines.
    Almost all of the refuge’s sprawling complex was entombed within the walls. But at the eastern edge was a section of farmed land, surrounded by a wooden fence. It was too high to climb easily, and the posts were too closely spaced for a person to slip through, but there was room enough to show the crops in their orderly lines, and the workers there, busy with hoes among the beets and marrows. Perhaps twenty of them, all Omegas, bent over their work. The marrows had grown fat—each one larger than the last few meals that Piper, Zoe, and I had eaten.
    â€œThey’re not all tanked, at least,” Zoe said. “Not yet, anyway.”
    â€œThat’s what, six acres of crops?” Piper said. “Look at the size of the place—especially with that new building. Our records on the island showed that thousands of people have turned themselves in at the refuges each year. More than ever, lately, since the bad harvest and the tithe increases. This refuge alone would have upward of five thousand people. No way they’re being fed from those fields—it’d barely be enough to feed the guards.”
    â€œIt’s a display,” I said. “Like a minstrel show, a pretty picture of what people think a refuge is. But it’s all for show, to keep people coming.”
    There was something else about the refuge that unsettled me. I searched and searched for it, until I realized that it was an absence, not a presence. It was the almost total lack of sound. Piper had said that there were thousands of people within those walls. I thought of the sound ofthe New Hobart market, or of the island’s streets. The constant noise of the children at Elsa’s holding house. But the only sounds reaching us from the refuge were the strikes of the workers’ hoes on the frost-hardened earth. There was no background hum of voices, and I could sense no movement within the buildings. I recalled the tank chamber I’d seen at Wyndham, where the only sound had been the buzz of the Electric. All those throats stoppered with tubes like corks in bottles.
    There was movement on the road that led east past the refuge. It wasn’t mounted soldiers—just three walkers, moving slowly, and laden with packs.
    As they drew closer, we could see they were Omegas. The shorter of the men had an arm that ended at the elbow; the other man limped heavily, one twisted leg gnarled like driftwood. Between them walked a child. I’d have guessed he was no older than seven or eight,

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