Read The Poisonwood Bible for Free Online
Authors: Barbara Kingsolver
breasts. The cloths are brightly printed and worn together in jangling mixtures that ring in my ears: pink gingham with orange plaid, for example. Loose-joint breaking-point colors, and whether you find them beautiful or find them appalling, they do make the women seem more festive, and less exhausted.
Backdrop to the Kilanga pageant, rising up behind the houses, a tall wall of elephant grass obscures our view of anything but the distance. The sun suspended above it in the afternoon is a pink, round dot in the distant white haze you may stare at and never go blind. The real earth where the real sun shines seems to be somewhere else, far from here. And to the east of us, behind the river, a rising rumple of dark green hills folded on each other like a great old tablecloth, receding to pale hazy blue. “Looming like the Judgment,” says our mother, pausing to wipe her damp forehead with the back of her hand.
“It’s a place right out of a storybook,” my twin sister, Leah, loves to declare in response, opening her eyes wide and sticking her short hair behind her ears as if to hear and see every little thing oh so much better. “And yet this is our own family, the Prices, living here!”
Next comes this observation from my sister Ruth May: “Nobody here’s got very many teeth.” And finally, from Rachel: “Jeez oh man, wake me up when it’s over.” And so the Price family passes its judgments. All but Adah. Adah unpasses her judgments. I am the one who does not speak.
Our Father speaks for all of us, as far as I can see. And he is at the moment not saying much. His hammer turned out to be a waste of two or three good pounds, because there appear to be no nails in the mud-and-thatch town of Kilanga.The wide-open building that serves as church and school was built of concrete-block pillars holding up a. roof of palm thatch and billowy clouds of scarlet bougainvillea. By now it all seems more or less welded together by its own decay. Our house is also mud, thatch, cement, and flowering vines. Leah in her earnest way helped him scout around for a project, but alas he found nothing worth pounding at, anywhere. This was a great disappointment to Our Father, who likes to repair things between Sundays.
Yet here we are to stay. The bush plane that dropped down into the field to leave us here went right away again, and there will be no more coming-going until that same plane returns again. We asked about the dirt road through the village and were told it stretched all the way to Leopoldville. I doubt it. A short way on either side of our village the road falls into a frenzy of hard dirt ruts that look like ocean waves frozen solid in the middle of a tempest.
Our Father says in the great beyond nearby there are probably swamps you could sink a battleship in, not to mention a mere automobile. We do see vestigial signs of automobiles in our village, but they resemble the signs of life you would dig up in a graveyard if you were inclined to that pastime. Which is to say: parts dead and rusted, scattered around and used not for transportation but for anything but. On a walk one day with Our Father he pointed out for his daughters’ edification a carburetor air-filter lid boiling a family’s dinner over a cookfire, and a Jeep muffler being put to use by six boys at once, as a drum.
The Kwilu River is the throughway here: Kwilu, a word without a single rhyme. Nearly a prelude, but not quite. Kwilu. It troubles me, this dubious escape route. It sits unanswered like a half-phrase of music on my ear.
Our Father claims the Kwilu is navigable downstream from here all the way to where it joins the Congo River; upstream, one may go only as far as the high, scenic cataracts that thunder just to the south of us. In other words, we have arrived very nearly at the end of the earth. We sometimes do see the odd boat passing by, but only carrying people from nearby villages exactly like this one. For news or mail or evidence of what
Backdrop to the Kilanga pageant, rising up behind the houses, a tall wall of elephant grass obscures our view of anything but the distance. The sun suspended above it in the afternoon is a pink, round dot in the distant white haze you may stare at and never go blind. The real earth where the real sun shines seems to be somewhere else, far from here. And to the east of us, behind the river, a rising rumple of dark green hills folded on each other like a great old tablecloth, receding to pale hazy blue. “Looming like the Judgment,” says our mother, pausing to wipe her damp forehead with the back of her hand.
“It’s a place right out of a storybook,” my twin sister, Leah, loves to declare in response, opening her eyes wide and sticking her short hair behind her ears as if to hear and see every little thing oh so much better. “And yet this is our own family, the Prices, living here!”
Next comes this observation from my sister Ruth May: “Nobody here’s got very many teeth.” And finally, from Rachel: “Jeez oh man, wake me up when it’s over.” And so the Price family passes its judgments. All but Adah. Adah unpasses her judgments. I am the one who does not speak.
Our Father speaks for all of us, as far as I can see. And he is at the moment not saying much. His hammer turned out to be a waste of two or three good pounds, because there appear to be no nails in the mud-and-thatch town of Kilanga.The wide-open building that serves as church and school was built of concrete-block pillars holding up a. roof of palm thatch and billowy clouds of scarlet bougainvillea. By now it all seems more or less welded together by its own decay. Our house is also mud, thatch, cement, and flowering vines. Leah in her earnest way helped him scout around for a project, but alas he found nothing worth pounding at, anywhere. This was a great disappointment to Our Father, who likes to repair things between Sundays.
Yet here we are to stay. The bush plane that dropped down into the field to leave us here went right away again, and there will be no more coming-going until that same plane returns again. We asked about the dirt road through the village and were told it stretched all the way to Leopoldville. I doubt it. A short way on either side of our village the road falls into a frenzy of hard dirt ruts that look like ocean waves frozen solid in the middle of a tempest.
Our Father says in the great beyond nearby there are probably swamps you could sink a battleship in, not to mention a mere automobile. We do see vestigial signs of automobiles in our village, but they resemble the signs of life you would dig up in a graveyard if you were inclined to that pastime. Which is to say: parts dead and rusted, scattered around and used not for transportation but for anything but. On a walk one day with Our Father he pointed out for his daughters’ edification a carburetor air-filter lid boiling a family’s dinner over a cookfire, and a Jeep muffler being put to use by six boys at once, as a drum.
The Kwilu River is the throughway here: Kwilu, a word without a single rhyme. Nearly a prelude, but not quite. Kwilu. It troubles me, this dubious escape route. It sits unanswered like a half-phrase of music on my ear.
Our Father claims the Kwilu is navigable downstream from here all the way to where it joins the Congo River; upstream, one may go only as far as the high, scenic cataracts that thunder just to the south of us. In other words, we have arrived very nearly at the end of the earth. We sometimes do see the odd boat passing by, but only carrying people from nearby villages exactly like this one. For news or mail or evidence of what