head. I remember seeing her arm and thinking how small her bones were.
In the distance another shadow emerges. My mother and a friend of hers are coming toward me. I imagine the two mothers meeting, colliding. This is something that canât happen. It is entirely against the rules. No one person can have two mothers in the same room at the same time.
âThere are people here whose privacy I have to protect,â I say to Ellen. She turns and runs out of the store.
âWe spotted her during the reading,â my motherâs friend says.
âI knew who she was immediately,â my mother says. âAre you all right?â she asksâshe seems shaken.
âAre you ?â
Â
Iâm scheduled to meet with a reporter after the reading. We sit in the basement of the bookstore, the reporterâs cassette recorder on a table between us.
âIs your book autobiographical?â
âIt is the most autobiographical thing I have written, but no, it is not autobiographical.â
âBut you are adopted?â
âYes.â
âI heard something recently about you searching for your parents.â
âI have not searched for anyone.â
There is a pause. âDo you know who your parents are?â It seems like a strange question, like the kind of thing youâd ask someone whoâd bumped their head against a wall and just regained consciousness.
Â
In the morning, I take a taxi downtown. I am going to meet the father. I take a taxi because I am blind, because my mother is at work, because I canât ask my father to drive me to meet my father. I am out of time, outside of myself. It feels like something from long ago when women didnât drive. It is as though I am in a remake, a dramatic reenactment of a role originated by Ellenâthe Visit to the Lawyerâs Officeâthe scene in which the pregnant woman goes to the lawyerâs office to find out what the big guy âmight be able to do for her.â
At the lawyerâs office, I present myself to the receptionist. A man comes through the interior door. Is this the lawyer, my father, or just someone who works there? Anyone could be him, he could be anyoneâthis is what itâs like when you donât know who you are.
I am reminded of the childrenâs book Are You My Mother? âin which a baby bird goes around asking various other animals and objects, âAre you my mother?â
âAre you Norman?â
âYes,â he says, surprised that I donât already know. He shakes my hand nervously and leads me into a large conference room. We sit on opposite sides of a wide table.
âMy God,â he says, looking at me. âMy God.â
âI cut my cornea,â I say, pointing to the patch on my eye.
âReading a review of your book?â
âNo, the obituaries,â I say honestly.
âFine thing. Would you like a Pepsi?â On the table in front of him is a Pepsi bottle, sweating.
I shake my head.
The father is a big, pink-faced man, in a fancy suit, collar pin, tie. His hair is white, thin, slicked back.
We stare at each other across the table. âFine thing,â he keeps saying. He is smiling. He has dimples.
Having grown up without the refracted reflections of biology, I have no idea whether he looks like me or not. Iâve brought my camera, a Polaroid.
âDo you mind if I take a picture of you?â I ask.
I take two and he just sits there flushed, embarrassed.
âCould I have one of you?â he asks and I allow him to take a picture.
Itâs as though weâre making a perverse Polaroid commercial right there in the lawyerâs officeâa reunion played out as a photo session. We come around the table and stand side by side, watching our images appear. Itâs easier to really look at someone in a photograph than in real lifeâno discomfort at meeting the other personâs eye, no fear of being caught