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gaping figure outside. All this was highly unusual (to crown it all, it must have been rather overheated in the cabin for the mountain of flesh behind the wheel to feel so warm), and the more she kept glancing back at the vehicle as she moved away, the more exotic a monster did it seem, encapsulating in its appearance all that life had so recently thrown at her: the past, it seemed to say, was no longer what it had been but was crawling remorselessly ahead below the windows of unsuspecting people. From this moment she was convinced she was in the grip of a terrible nightmare, only there was no waking from this one: no, she was quite certain that it was reality, only more so; furthermore she realized that the chilling events in which she had been participant or to which she had been witness (the appearance of the phantasmagorical vehicle, the violence in Erdélyi Sándor Road, the lights going off with all the precision of an explosive device, the inhuman rabble in the station forecourt, and above all this, dominating everything, the cold unremitting stare of the figure in the broadcloth coat) were not merely the oppressive creations of her ever-troubled imagination, but part of a scheme so co-ordinated, so precise, that there could be no doubt of their purpose. At the same time she was constrained to make every effort to reject such an extraordinary fantasy, and she kept hoping that there might be some clear, however depressing, explanation for the mob, the weird truck, the outbreak of fighting, or, if for nothing else, for the extraordinary power cut that affected everything; all this she hoped because she couldn’t quite allow herself to lapse into a wholesale acceptance of a state of affairs so irrational as to permit the general security of the town to go down the drain together with every other sign of order. Sadly she had to forgo even this slim hope: for while the issue of the blacked-out streetlamps remained unresolved, the destination of the truck with its terrible load, and the nature of that load, were not to remain a mystery for long. She had passed the house of the local celebrity, György Eszter, had left behind the night noises of the park surrounding the old Wooden Theatre and had reached the tiny Evangelical Church when her glance happened to light on a round advertising pillar: she stopped dead in her tracks, stepped closer, then simply stood, and, in case she had made a mistake, read and reread the text which looked like the kind of thing a tramp from some outlying estate might scrawl, though a single perusal should have been enough since the poster, which had obviously been freshly pasted over all the others and still showed traces of fresh paste at the edges, offered an explanation of sorts. She thought that if she could finally isolate one distinct element of the chaos, she would find it easier to orientate herself and so (‘God forbid it should be necessary …!’ of course) defend herself ‘in case of a total collapse’, though the feeble light shed on this by the text only increased her anxiety, the problem all along having been that nothing seemed to provide the faintest shadow of an explanation for the whole cycle of events she had been forced to witness as victim or bystander, till now—as if that ‘feeble light’ (‘The Biggest Whale in the World, and other sensational secrets of nature’) were all too much at once—when she was driven to speculate whether there might not be some firm, yet incomprehensible reason at work in this. Because, well, a circus? Here?! When the end of the world was all too imminent? Fancy allowing such a nightmare menagerie, to say nothing of that evil-smelling beast, into the town! When the place is threatening enough as it is! Who has time for entertainments now, when we’re in a state of anarchy? What an idiotic joke! What a ridiculous, cruel idea! … Or could it be … could it mean precisely that … that it was all over and it didn’t matter any more?