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casually asked me to share his boredom with him, nearly crushed me with happiness.
    More often, there were disappointments. For a moment he would seem to have changed, to have opened up a little, and then, suddenly, he would not be there anymore. The one time I managed to persuade him to take me to a football game (the Giants versus the Chicago Cardinals, at Yankee Stadium or the Polo Grounds, I forget which), he abruptly stood up from his seat in the middle of the fourth quarter and said, “It’s time to go now.” He wanted to “beat the crowd” and avoid getting stuck in traffic. Nothing I said could convince him to stay, and so we left, just like that, with the game going full tilt. Unearthly despair as I followed him down the concrete ramps, and then, even worse, in the parking lot, with the noise of the invisible crowd roaring behind me.
    You could not trust him to know what you wanted, to anticipate what you might have been feeling. The fact that you had to tell him yourself vitiated the pleasure in advance, disrupted a dreamed-of harmony before a note could be played. And then, even if you did tell him, it was not at all sure that he would understand what you meant.
    I remember a day very like today. A drizzling Sunday, lethargy and quiet in the house: the world at half-speed. My father was taking a nap, or had just awoken from one, and somehow I was on the bed with him, the two of us alone in the room. Tell me a story. It must have begun like that. And because he was not doing anything, because he was still drowsing in the languor of the afternoon, he did just what I asked, launching into a story without missing a beat. I remember it all so clearly. It seems as if I have just walked out of that room, with its gray light and tangle of quilts on the bed, as if, simply by closing my eyes, I could walk back into it any time I want.
    He told me of his prospecting days in South America. It was a tale of high adventure, fraught with mortal dangers, hair-raising escapes, and improbable twists of fortune: hacking his way through the jungle with a machete, fighting off bandits with his bare hands, shooting his donkey when it broke its leg. His language was flowery and convoluted, probably an echo of the books he himself had read as a boy. But it was precisely this literary style that enchanted me. Not only was he telling me new things about himself, unveiling to me the world of his distant past, but he was telling it with new and strange words. This language was just as important as the story itself. It belonged to it, and in some sense was indistinguishable from it. Its very strangeness was proof of authenticity.
    It did not occur to me to think this might have been a made-up story. For years afterward I went on believing it. Even when I had passed the point when I should have known better, I still felt there might have been some truth to it. It gave me something to hold on to about my father, and I was reluctant to let go. At last I had an explanation for his mysterious evasions, his indifference to me. He was a romantic figure, a man with adark and exciting past, and his present life was only a kind of stopping place, a way of biding his time until he took off on his next adventure. He was working out his plan, figuring out how to retrieve the gold that lay buried deep in the heart of the Andes.
    In the back of my mind: a desire to do something extraordinary, to impress him with an act of heroic proportions. The more aloof he was, the higher the stakes became for me. But if a boy’s will is tenacious and idealistic, it is also absurdly practical. I was only ten years old, and there was no child for me to save from a burning building, no sailors to rescue at sea. On the other hand, I was a good baseball player, the star of my Little League team, and although my father had no interest in baseball, I thought that if he saw me play, just once, he would begin to see me in a new light.
    Finally he did come. My mother’s