arisen over that.
Gerda had said to him one day:
âHenrietta has asked me to sit for her.â
âWhat?â His astonishment had not, if he came to think of it, been flattering. âYou?â
âYes, Iâm going over to the studio tomorrow.â
âWhat on earth does she want you for?â
Yes, he hadnât been very polite about it. But luckily Gerda hadnât realized that fact. She had looked pleased about it. He suspected Henrietta of one of those insincere kindnesses of hersâGerda, perhaps, had hinted that she would like to be modelled. Something of that kind.
Then, about ten days later, Gerda had shown him triumphantly a small plaster statuette.
It was a pretty thingâtechnically skillful like all Henriettaâs work. It idealized Gerdaâand Gerda herself was clearly pleased about it.
âI really think itâs rather charming, John.â
âIs that Henriettaâs work? It means nothingânothing at all. I donât see how she came to do a thing like that.â
âItâs different, of course, from her abstract workâbut I think itâs good, John, I really do.â
He had said no moreâafter all, he didnât want to spoil Gerdaâs pleasure. But he tackled Henrietta about it at the first opportunity.
âWhat did you want to make that silly thing of Gerda for? Itâs unworthy of you. After all, you usually turn out decent stuff.â
Henrietta said slowly:
âI didnât think it was bad. Gerda seemed quite pleased.â
âGerda was delighted. She would be. Gerda doesnât know art from a coloured photograph.â
âIt wasnât bad art, John. It was just a portrait statuetteâquite harmless and not at all pretentious.â
âYou donât usually waste your time doing that kind of stuffââ
He broke off, staring at a wooden figure about five feet high.
âHallo, whatâs this?â
âItâs for the International Group. Pearwood. The Worshipper.â
She watched him. He stared and thenâsuddenly, his neck swelled and he turned on her furiously.
âSo thatâs what you wanted Gerda for? How dare you?â
âI wondered if youâd seeâ¦.â
âSee it? Of course I see it. Itâs here. â He placed a finger on the broad heavy neck muscles.
Henrietta nodded.
âYes, itâs the neck and shoulders I wantedâand that heavy forward slantâthe submissionâthat bowed look. Itâs wonderful!â
âWonderful? Look here, Henrietta, I wonât have it. Youâre to leave Gerda alone.â
âGerda wonât know. Nobody will know. You know Gerda would never recognize herself hereânobody else would either. And it isnât Gerda. It isnât anybody. â
â I recognized it, didnât I?â
âYouâre different, John. Youâsee things.â
âItâs the damned cheek of it! I wonât have it, Henrietta! I wonât have it. Canât you see that it was an indefensible thing to do?â
âWas it?â
âDonât you know it was? Canât you feel it was? Whereâs your usual sensitiveness?â
Henrietta said slowly:
âYou donât understand, John. I donât think I could ever make you understandâ¦You donât know what it is to want somethingâto look at it day after dayâthat line of the neckâthose musclesâthe angle where the head goes forwardâthat heaviness round the jaw. Iâve been looking at them, wanting themâevery time I saw Gerdaâ¦In the end I just had to have them!â
âUnscrupulous!â
âYes, I suppose just that. But when you want things, in that way, you just have to take them.â
âYou mean you donât care a damn about anybody else. You donât care about Gerdaââ
âDonât be stupid, John. Thatâs why I made that