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smile with which he had greeted his mother. Richard, disconcerted, did not reply, and Tommy insisted: 'How is Marion?' 'Fine,' said Richard, heartily. 'Very well indeed.' 'Good. Because when I met her for a cup of coffee yesterday she seemed in a pretty bad way.' Molly raised swift eyebrows towards Richard, Anna made a small grimace, and Richard positively glared at both of them, saying the whole situation was their fault. Tommy, continuing not to meet their eyes, and indicating with every line of his body that they underestimated his comprehension of their situations and the implacability of his judgement on them, sat down, and slowly ate strawberries. He looked like his father. That is to say he was a closely-welded, round youth, dark, like his father, with not a trace of Molly's dash and vivacity. But unlike Richard, whose tenacious obstinacy was open, smouldering in his dark eyes and displayed in every impatient efficient movement, Tommy had a look of being buttoned in, a prisoner of his own nature. He was wearing, this morning, a scarlet sweat shirt and loose blue jeans, but would have looked better in a sober business suit. Every movement he ever made, every word he said, seemed in slow motion. Molly had used to complain, humorously, of course, that he sounded like someone who had taken an oath to count ten before he spoke. And she had complained, humorously, one summer when he had grown a beard, that he looked as if he had glued the rakish beard on to his solemn face. She had continued to make these loud, jolly complaints until Tommy had remarked: 'Yes, I know you'd rather I looked like you-been attractive I mean. But it's bad luck, I've got your character, and it should have been the other way around-well surely, if I'd had your looks and my father's character-well, his staying power, at any rate, it would have been better?'-he had persisted with it, doggedly, as he did when trying to make her see a point that she was being wilfully obtuse about. Molly had worried about this for some days, even ringing Anna up: 'Isn't it awful, Anna? Who would have believed it? You think something for years, and come to terms with it, and then suddenly, they come out with something and you see they've been thinking it too?' 'But surely you wouldn't want him to be like Richard?' 'No, but he's right about the staying power. And the way he came out with it-it's bad luck I've got your character, he said.' Tommy ate his strawberries until there were none left, berry after berry. He did not speak, and neither did they. They sat watching him eat, as if he had willed them to do this. He ate carefully. His mouth moved in the act of eating as it did in the act of speaking, every word separate, each berry whole and separate. And he frowned steadily, his soft dark brows knitted, like a small boy's over lessons. His lips even made small preliminary movements before a mouthful, like an old person's. Or like a blind man, thought Anna, recognising the movement; once she had sat opposite a blind man on the train. So had his mouth been set, rather full and controlled, a soft, self-absorbed pout. And so had his eyes been, like Tommy's even when he was looking at someone: as if turned inwards on himself. Though of course he was blind. Anna felt a small rising hysteria, as she had sitting opposite the blind man, looking at the sightless eyes that seemed as if they were clouded with introspection. And she knew that Richard and Molly felt the same; they were frowning and making restless nervous movements. He's bullying us all, thought Anna, annoyed; he's bullying us horribly. And again she imagined how he had stood outside the door, listening, probably for a long time; she was by now unfairly convinced of it, and disliking the boy, because of how he was willing them to sit and wait for his pleasure. Anna was just forcing herself, against a most extraordinary prohibition, emanating from Tommy, to say something, to break the silence, when Tommy laid down his