dead?â
âIâm going to destroy them.â
âWhoâs the gawd damned sugar shack queen in this place?â
âI am!â
Sue Lin pumped both fists in the air, bobbing up and down. âTake no prisoners, only their money! Youâre a thief. How hot are you?â
Tilly found herself heated up and following along. âIâm nuclear hot. Iâm a ruthless bitch!â
âThatâs what I want to hear!â
Pumped up, Tilly felt she could do cartwheels across the wardrobe floor. She realized that Sue Lin intended her to feel that way, which was a good ploy, considering what she faced. What better way to face this prison, this slave-labor camp than to get her head wrapped around something she lovedâdance. Dance allowed her to tune out everything and everybody and completely forget where she was.
I canât survive here unless I ignore this shithole and create my own little selfish world.
âTo the stage lift,â said Sue Lin, and took Tillyâs hand, leading her down the wardrobe floor. They entered a corridor and ended up in a large control room that held large compressors, gears, and high-pressure lines. Several disks that had an Xs on them sat in the middle of the floor. Sue Lin explained they were lifts that would hoist her to the top of the stage. From there she had to brush through a fold of curtains and step out on the main stage.
Tilly stepped on a lift. She could hear music filtering down from aboveâsome kind of high-energy ragtime beat. In the next moment, a lift descended from the ceiling, carrying a female performer dressed in a riotous collection of ostrich feathers, sequins and glitter. The girl gave Tilly a furtive glance, stepped off the disk and walked out of the control room. The girl looked like a goddess compared to Tilly, who felt like a train wreck in her rags and zombie makeup.
Sue Lin slapped her shoulder. âPay no attention to that. Concentrate on
you
. Get readyâ¦â
The elevator disk whooshed up and stopped suddenly. Tilly found herself in a curtained partition. A slit of light indicated the way out. She heard her music cue.
âAnd now,â said an announcerâs voice, âall the way from Long Island, New Yorkâ¦United Western Mining proudly introduces the gangster of hip-hopâ¦the serial killer of swingâ¦the girl with the tsunami swaggerâ¦Sunshine!â Applause, catcalls, and whistles followed.
Tilly burst through the drapes and began the opening dance sequence, which was a slow walk with her hands in her pockets. Half of the applause died down when the audience got a real good look at her. Even though she did not show it, Tilly felt equally surprised at her first sight of the stage and the arena audience. The motif of the Amazon Lounge was South American jungle. Large ceramic trees took up strategic positions in the aisles, while colorful animatronic birds and monkeys moved upon tracks through synthetic branches. A brass rail surrounding the elevated half-moon stage had huge rubber snakes coiled around it from one end to the other. Maitresses and slingers, wearing leopard-print leotards, moved in and around the tables, shuffling food orders and drinks. Tilly had no idea of the capacity of the lounge but guessed it had to be close to 5,000 patrons, most of which consisted of bearded minors. The capacity looked to be about half full. A few women sat at the tables, obvious escorts or girlfriends. Tilly tried to spot Fia in the dim aisles, but couldnât find her face.
The crowd seemed tense, wound up like a taut wire ready to snap. A few men stood up and hurled crumpled napkins. She saw bar police merging into the crowd. She had to do something quick in order to gain control. She did a dance-strut up to the rail and glared down at the audience members. She jumped up to come back down in an animal crouch, hissing and clawing at them. This pulled a few laughs. The music volume rose. She put