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and nothing at all about her husband. But a fascinating tableau has been handed down through the years: The four children and their uncle are seated on the floor around a daily English newspaper; the uncle reads, and the children correct him. Month after month he sat on the floor with the children and the newspapers, reading aloud and being corrected. He was learning English.
And, at the same time, reading about sweatshop bosses exploiting workers; about the efforts to pass child labor laws; about new laws governing factory safety, workmen’s compensation, maximum hours for women. And he would surely have read accounts of the assassinations of Archduke Franz Ferdinand and his wife, Sophie, and the editorial surmise that the archduke’s removal would probably make for greater tranquillity in Europe.
And he must have read about the war and the slaughter that began in Europe in August 1914. And about the Battle of Tannenberg, fought by German and Russian troops in the last days of August at a cost of thirteen thousand German and thirty thousand Russian dead. On the western front, the Germans advanced toward Paris. During the early days of September, French and British troops halted the Germans at the Marne in a series of battles that cost each side about a quarter of a million casualties and forever changed the nature of war. In mid-September the first trenches of the war were dug, and the nightmare of deadlocked warfare began.
All this Solomon read in English on the floor with his sister Bayla’s children, and certainly a good deal more on his own in Yiddish. And doubtless discussed at length with his newfound friend, a man named Gregory Zarkhin, about whom the family chronicles tell us little: a Jew from a small town in White Russia, tall, blond-haired, chiseled face, aquiline nose. The chronicles do note that it was Gregory Zarkhin who introduced Solomon Slepak into New Yorks revolutionary circles. But how and where they met; the precise nature of their relationship; the ideas they embraced, the conversations they shared, the strategies planned and the dreams held in common—not a word.
There was no American Communist movement in the United States until September 1919, when the first manifesto of the Communist Party of America prematurely proclaimed the demise of capitalism. But there were circles where one could talk about the war and the tsar, about capitalism and Marxism, about the bourgeoisie and the proletariat, about the strikes of previous years—cloakmakers’ strikes, cigar makers’ and hatmakers’ strikes, children’s strikes, bakery strikes, meat and rent strikes—and engage in heated debates with anarchists and socialists, plan a union meeting, a demonstration, a strike, a parade, and anticipate the revolution in America. Persuasive to many in those troubled days were Karl Marx’s theory of surplus value and forms of production and his iron conviction of the inevitability of communism, as if ordained by inexorable laws of history.
What goes into the making of a revolutionary, a man or woman who breaks with the legal systems and protocols of his or her world, renounces past ties of friendship and blood, becomes contemptuous of the society in which he or she lives, showing it no mercy and expecting no mercy from it in return, and sets out to intensify the suffering of people by any means available so as to accelerate the coming of revolution? Surely one begins by being partial to revolution, accepting of its consequences, perhaps because of a deep initial disillusionment with the codes of one’s own people or class. Appalled by social injustice. A growing awareness of the illusory nature of genteel surface appearances; certainty that beneath the civilized facade lay the real world of power, money, and greed. Rage at the insurmountable obstacles put in the path of one’s career and dreams by the entrenched laws of the powers-that-be. Years of recurrent anger and hate, which finally begin to burn with
James Patterson and Maxine Paetro