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how they had missed the signs of Dr. Andreatti’s emotional distress, how it was possible to work with someone for years and know so little about her personal life. Gabriel murmured a few appropriate words of sympathy but for the most part kept to his private corner of the lab. He remained there, alone with the Caravaggio, until late afternoon, when he hiked back to the apartment near the Piazza di Spagna through a freezing drizzle. He found Chiara leaning against the kitchen counter. Her dark hair was held in place by a velvet ribbon at the nape of her neck. Her eyes were fixed on the television, where a reporter for the BBC was recounting a story of a tragic suicide under a computer-generated banner that read DEATH IN THE BASILICA . When a still photograph of Claudia appeared on the screen, Chiara shook her head slowly.
    â€œShe was such a beautiful girl. Somehow it always seems harder to understand when they’re pretty.”
    She removed the cork from a bottle of Sangiovese and poured out two glasses. Gabriel reached for his, then stopped. Dark and rich, the wine was the color of blood.
    â€œIs something wrong?”
    â€œDonati asked me to have a look at the body.”
    â€œWhy ever would he do that?”
    â€œHe wanted a second opinion.”
    â€œHe doesn’t think she committed suicide?”
    â€œNo. And neither do I.”
    He told Chiara about the broken necklace, about the shoes that landed too far apart, about the quiet review of the Vatican’s antiquities collection. Lastly, he told her about the urgent meeting that was supposed to take place in Donati’s office.
    â€œNow I understand the problem,” Chiara said. “Attractive female curator is supposed to meet with powerful private secretary. Instead, attractive female curator ends up dead.”
    â€œLeaving every conspiracy theorist in the world to speculate that the powerful private secretary was somehow involved in the curator’s death.”
    â€œWhich explains why he’s asking you to help with a cover-up.”
    â€œThat’s not how I would describe it.”
    â€œHow would you?”
    â€œA private fact-finding mission, like the ones we used to carry out for King Saul Boulevard.”
    King Saul Boulevard was the address of Israel’s foreign intelligence service. It had a long and deliberately misleading name that had very little to do with the true nature of its work. Even retired agents like Gabriel and Chiara referred to it as the Office and nothing else.
    â€œThis has all the makings of yet another Vatican scandal,” Chiara warned. “And if you’re not careful, your friend Monsignor Luigi Donati is going to drop you right in the middle of it.”
    She switched off the television without another word and carried their wineglasses into the sitting room. On the coffee table was a tray of assorted bruschetta. Chiara watched Gabriel intently as he selected one smeared with artichoke hearts and ricotta cheese and washed it down with the Sangiovese. Her eyes, wide and oriental in shape, were the color of caramel and flecked with gold. They tended to change color with her mood. Gabriel could see she was troubled. She had a right to be. Their last assignment for the Office, an operation against a jihadist terror network, had been a particularly violent affair that ended in the Empty Quarter of Saudi Arabia. Chiara had hoped the Caravaggio restoration would prove to be the final stage of Gabriel’s long and difficult recovery, the start of a new life free from the gravitational pull of the Office. It was not supposed to include an investigation carried out on behalf of the pope’s private secretary.
    â€œWell?” she asked.
    â€œIt was delicious,” said Gabriel.
    â€œI wasn’t talking about the bruschetta.” Chiara rearranged the pillows at the end of the couch. She always rearranged things when she was annoyed. “Have you considered what the