was placed with precision and left in the wound. Itâs a skilful job, a surgical job, not a wild, crazed stabbing. But perhaps it was just a lucky stroke?â He shrugged. âAt any rate I donât think weâre going to find any blood-drenched overalls in the graveyard dustbin.â
âBut how do you get a girl to just lie there while you plunge a dagger into her heart? Or was she killed somewhere else and the body brought here and arranged like this? And where on earth would you come by precisely the same dagger as the old manâs got at his side? Thatâs a misericorde, isnât it? Itâs all so deliberate! Look at her hair. Itâs been arranged to fall like that. Her dressâsomeoneâs folded it. And what would Taro Tyler be doing wearing an outfit like that anyway? It looks medieval!â
I gasped as the connection struck me.
âOnly just caught on?â he asked acidly.
âSheâs meant to look likeâbe a replica ofâthe original figure . . . the figure I was supposed to be inspecting with you this morning.â
âI think so. Your firm sent some chaps last week to remove Sir Johnâs alabaster wife, Lady Aliénore. She was in need of remedial treatment. We called your boss who said, ââAwfully sorry, I shall be away on holiday in Puglia butâtell you whatâIâll send you my assistant. Sheâs young and highly qualified, sound art historian. Pretty girl too,â â he added. âRecognise yourself? I had the remains of the first Lady Brancaster placed over there in the corner on that tarpaulin.â
He nodded towards the bell tower and to an ordered pile of pale-gleaming fragments rising from which I could make out a single white hand pointing forlornly heaven-wards.
I had looked calmly enough at the dead girl but, unaccountably, the sight of the dismembered stone limbs made me shudder.
âI think Iâm going to be sick,â I muttered and for a moment it seemed horribly likely.
âNo youâre not!â he said. âHave a thought for the Suffolk Constabulary! Theyâll have quite enough bodily fluids to put under their microscopes without being distracted by extraneous and irrelevant contributions from the visiting architect. Pull yourself together, Miss . . . er . . .!â
Heâd said it again! No one had told me to pull myself together since primary school. I breathed deeply, beginning sincerely to dislike Edward Hartest.
âEllie, call me Ellie,â I said impatiently.
âFine. And you might as well call me Edward. Now look here, Ellie, I want you to note a few things before the police get here. Iâm certain that we can rely on them to use the full range of their forensic techniques but . . .â
âI know what youâre getting at. Not straightforward is it? Itâs as though someoneâs left a challenge. If it werenât such a gruesome thought I might even sayâsomeoneâs playing a game.â
âYes, and I have a feeling I may know the identity of this joker! Do you see, over there, just below the scrolled edgeâdonât touch it for Godâs sake!âthereâs a smudge.â
âA finger print,â I said firmly. âIn blood!â
My fingers may have strayed unconsciously to my camera because he looked down at me and glowered. âDonât even think of it!â he said repressively. He paused, eyeing my Nikon. âYou havenât already, have you? Iâm afraid I must insist you hand over the film.â
âFilm?â
âYou know what I mean!â He waved an imperious hand at my camera. âDo whatever you have to do to disarm that contraption.â
The authoritative voice was one which was used to being obeyed.
âGive me one good reason why I should!â
âIâll give you two. You could sell the negative of this scene to the gutter press for thousands and the family can do
Brauna E. Pouns, Donald Wrye