The Diamond Age
the most part, except for a little scar high up on one cheekbone.
      Bud kept walking until he was a little too close to the guy. He kept his head tilted back until the last minute, like he was kicking back listening to some loud tunes (which he was), and then suddenly snapped his head forward so he was staring the guy right in the face. It was another way to emphasize the fact that he was packing, and it usually did the trick. But this guy did not respond with the little flinch that Bud had come to expect and enjoy. Maybe he was from some booga-booga country where they didn't know about skull guns.
      "Sir," the man said, "my family and I are on the way to our hotel. We have had a long journey, and we are tired; my daughter has an ear infection. If you would state your business as expeditiously as possible, I would be obliged."
      "You talk like a fucking Vicky," Bud said.
      "Sir, I am not what you refer to as a Vicky, or I should have gone directly there. I would be obliged if you could be so kind as to moderate your language in the presence of my wife and child."
      It took Bud a while to untangle this sentence, and a while longer to believe that the man really cared about a few dirty words spoken within earshot of his family, and longer yet to believe that he had been so insolent to Bud, a heavily muscled guy who was obviously packing a skull gun.
      "I'm gonna fucking say whatever I fucking want to your bitch and your flicking brat," Bud said, very loud. Then he could not keep himself from grinning. Score a few points for Bud!
      The man looked impatient rather than scared and heaved a deep sigh. "Is this an armed robbery or something? Are you sure you know what you are getting into?"
      Bud answered by whispering "hut" under his breath and firing a Crippler into the man's right bicep. It went off deep in the muscle, like an M-80, blowing a dark hole in the sleeve of the man's jacket and leaving his arm stretched out nice and straight- the trike now pulling without anything to oppose it. The man clenched his teeth, his eyes bulged, and for a few moments he made strangled grunting noises from way down in his chest, making an effort not to cry out.
      Bud stared at the wound in fascination. It was just like shooting people in a ractive. Except that the bitch didn't scream and beg for mercy. She just turned her back, using her body to shield the baby, and looked over her shoulder, calmly, at Bud. Bud noticed she had a little scar on her cheek too.
      "Next I take your eye," Bud said, "then I go to work on the bitch."
      The man held up his good hand palm out, indicating surrender. He emptied his pocket of hard Universal Currency Units and handed them over. And then Bud made himself scarce, because the monitors- almond-size aerostats with eyes, ears, and radios- had probably picked up the sound of the explosion and begun converging on the area. He saw one hiss by him as he rounded the corner, trailing a short whip antenna that caught the light like a hairline crack in the atmosphere.
      Three days later, Bud was hanging around the Aerodrome, looking for easy pickings, when a big ship came in from Singapore. Immersed in a stream of thousand arrivals was a tight group of some two dozen solidly built, very dark-skinned black men dressed in business suits, with Strips of colored cloth draped around their necks and little scars on their cheekbone.
      It was later that night that Bud, for the first time in his life, heard the word Ashanti . "Another twenty-five Ashanti just came in from L.A.!" said a man in a bar. "The Ashanti had a big meeting in the conference room at the Sheraton!" said a woman on the street. Waiting in a queue for one of the free matter compilers, a bum said, "One of them Ashanti gave me five yuks. They're fine folks." When Bud ran into a guy he knew, a former comrade in the decoy trade, he said, "Hey, the place is crawling with them Ashanti, ain't it?"
      "Yup," said the guy, who had seemed

Similar Books

Rifles for Watie

Harold Keith

Sleeper Cell Super Boxset

Roger Hayden, James Hunt

Caprice

Doris Pilkington Garimara

Natasha's Legacy

Heather Greenis

Two Notorious Dukes

Lyndsey Norton