accustom my eyes to that darkness; standing there, I was even more aware of the humming sound I had heard—and of more—the same kind of chant which had put me into that hypnotic state in the course of which I had witnessed that disturbing vision purporting to be that of life in another world.
I apprehended its meaning instantly, I thought. Rose must be with Mr. Allan and his brothers, undergoing a similar experience.
Would that it had been no more!
For when I pushed my way into that large room on the far side of the house, I saw that which will be forever indelibly imprinted on my mind. Lit by the radiance from the glass case, the room disclosed Mr. Allan and his identical brothers all prone upon the floor around the twin cases, making their chanting song. Beyond them, against the far wall, lay the discarded life-size likeness of Poe I had seen beneath that weird creature in the glass case bathed in violet radiance. But it was not Mr. Allan and his brothers that so profoundly shocked and repelled me—it was what I saw in the glass cases!
For in the one that lit the room with its violently pulsating and agitated violet radiation lay Rose Dexter, fully clothed, and certainly under hypnosis—and on top of her lay, greatly elongated and with its tentacles flailing madly, the rugose cone-like figure I had last seen shrunken on the likeness of Poe. And in the connected case adjacent to it—I can hardly bear to set it down even now—lay, identical in every detail, a perfect duplicate of Rose!
What happened next is confused in my memory. I know that I lost control, that I fired blindly at the glass cases, intending to shatter them. Certainly I struck one or both of them, for with the impact the radiance vanished, the room was plunged into utter darkness, cries of fear and alarm rose from Mr. Allan and his brothers, and, amid a succession of explosive sounds from the machinery, I rushed forward and picked up Rose Dexter.
Somehow I gained the street with Rose.
Looking back, I saw that flames were appearing at the windows of that accursed house, and then, without warning, the north wall of the house collapsed, and something—an object I could not identify—burst from the now burning house and vanished aloft. I fled, still carrying Rose.
Regaining her senses, Rose was hysterical, but I succeeded in calming her, and at last she fell silent and would say nothing. And in silence I took her safely home, knowing how frightening her experience must have been, and resolved to say nothing until she had fully recovered.
In the week that followed, I came to see clearly what was taking place in that house on the knoll. But the charge of arson—lodged against me in lieu of a far more serious one because of the pistol I abandoned in the burning house—has blinded the police to anything but the most mundane matters. I have tried to tell them, insisting that they see Rose Dexter when she is well enough to talk—and willing to do so. I cannot make them understand what I now understand only too well. Yet the facts are there, inescapably.
They say the charred flesh found in that house is not human, most of it. But could they have expected anything else? Seven men in the likeness of Edgar Allan Poe! Surely they must understand that whatever it was in that house came from another world, a dying world, and sought to invade and ultimately take over Earth by reproducing themselves in the shape of men! Surely they must know that it must have been only by coincidence that the model they first chose was a likeness of Poe, chosen because they had no knowledge that Poe did not represent the average among men? Surely they must know, as I came to know, that the rugose, tentacled cone in the violet radiance was the source of their material selves, that the machinery and the tubing—which they say was too much damaged by the fire to identify, as if they could have identified its functions even undamaged!—manufactured from the material simulating
Cornelia Amiri (Celtic Romance Queen)