led us back to the front door. I donât know who was more disappointedâme or Nathan. He sulked along behind us, kicking bits of plaster at his sister.
âWhere in Louisiana?â I asked the preacher.
âMy church used to be in New Orleans, but my motherâs family lives in Opelousasâthe Trapagniers of Opelousas.â They sounded like a trapeze act.
Once we were outside on the porch, Deacon padlocked the door. âWell, Jackie Lyons. What do you think?â
âYou havenât made me an offer yet.â
âIâm willing to pay professional rates, in exchange for which you will supply me with copies of the photographs. The originals remain yours, of course. You can use them or sell them to other people, if you can find somebody to buy them.â
âIâll do it,â I said. Iâd have to pick up a tripod and some lighting, but I was pretty sure Deiter would loan me the equipment I needed. That wasnât the problem. âI just wish there were some way we could start right away.â
âThereâs plenty of time to make the pictures after I return,â he said. Then he looked at me in an odd way. His eyes had a strange light to them that Iâd never noticed before, an intensity that was almost disconcerting. âIf youâre in need of moneyâ¦â he started to say.
âI just want the work.â Iâd lived most of my life off the charity of men, and it had got me into more trouble than it was worth. I was through being a leech.
Well, mostly through.
âI can respect that,â he said, but his eyes lingered on me, as though he were seeing for the first time the holes in my jeans and in my arms. I thought he might change his mind, but he only nodded and returned the key to his pants pocket. âItâs getting late. We should head back.â
We walked down through the twilight woods in single file, Deacon leading, Nathan dangling from my hip pocket. âI donât usually go for older women but your body is amazing,â he grunted in my ear, his breath smelling like cinnamon Certs.
âNot so amazing with the lights on.â
âBullshit, lady. Youâre hot.â
âThanks.â I tried not to make it sound like I meant it. âThe years have not been kind.â
âYou should let me be the judge.â
âIf I ever need a jury, Iâll let you know.â
Clouds had moved in while we explored the house, and it was getting dark quicker than we expected. We hadnât gone far before we heard kids playing in the woods ahead of us. They were running and shouting all along the paths that crisscrossed the forest. A couple of times, I saw a whirl of color or a flash of long blond or red hair. Somewhere ahead of us, two girls were singing the jump-rope song Iâd heard the day before. I wondered if they were jumping rope in the woods.
Suddenly, I heard the song repeated behind me, in a soft, dreamy voice. It was Holly, and she chanted it all the way through:
Wire, briar, limber lock.
Three old geese in a flock.
One flew east, one flew west,
One flew over the cuckooâs nest,
Up on yonder gallows hill,
Where my fatherâs bones do dwell.
He had jewels, he had rings.
He had many pretty things.
He had a hammer with two balls.
He had a cat with nine claws.
Whip Jack! Lick Tom!
Blow the bellows, old mon!
Saddle the horse and beat the drums,
Tell me when the Yankee comes.
Sit and sing, by the spring.
Clap, clang, clattery, cling.
Hintlery, mintlery, cutlery, corn,
Apple seed and whipple thorn.
Screw a dishcloth up his snout.
Turn him over and shove him out.
She finished with an embarrassed smile. âThatâs the way we used to sing it.â
I was finally able to remember where Iâd heard the chant before. âWhere I grew up, that was a counting song. Like eeny-meeny-miney-moe.â The words were a little differentâour version didnât have a Yankee