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the supreme tribunal."
    "And who sits on this tribunal?"
    "Lev, for one. Of course, if it were up to Lev, I'd be locked in a room with an iron cot and bread and water. But fortunately for me, the other person on the tribunal is the prime minister."
    "Your old comrade in arms."
    "Let's just say we share similar opinions about the nature of the conflict and the true intentions of our enemies. We speak the same language and enjoy each other's company. He keeps me in the game, despite Lev's best efforts to wrap me in my burial shroud."
    "It's not a game, Ari. It never was a game."
    "You don't need to remind me of that, Gabriel. You spend your time here in the playgrounds of Europe while every day the shaheeds are blowing themselves to bits on Ben Yehuda Street and Jaffa Road."
    "I work here."
    "Forgive me, Gabriel. I didn't mean that to be as harsh as it sounded. What are you working on, by the way?"
    "Do you really care?"
    "Of course I do. I wouldn't have asked otherwise."
    "The Bellini altarpiece in the Church of the San Zaccaria. It's one of the most important paintings in Venice."
    Shamron's face broke into a genuine smile. "I would love to see the look on the patriarch's face if he ever found out that his precious altarpiece was being restored by a nice Jewish boy from the Jezreel Valley."
    Without warning, he stopped walking and coughed violently into a handkerchief. When he drew a few deep breaths to steady himself, Gabriel could hear a rattle in his chest. The old man needed to get out of the cold, but he was too stubborn ever to admit physical weakness. Gabriel decided to do it for him.
    "Do you mind if we sit down someplace? I've been standing on my scaffolding since eight o'clock this morning."
    Shamron managed a weary smile. He knew he was being deceived. He led Gabriel to a bakery on the edge of the campo. It was empty except for a tall girl behind the counter. She served them without taking their order: cups of espresso, small bottles of mineral water, a plate of rugelach with cinnamon and nuts. As she leaned over the table, a mane of dark hair fell across the front of one shoulder. Her long hands smelled of vanilla. She covered herself in a bronze-colored wrap and went into the campo, leaving Gabriel and Shamron alone in the shop.
    Gabriel said, "I'm listening."
    "That's an improvement. Usually, you start off by yelling at me about how I've ruined your life."
    "I'm sure we'll get to that at some point."
    "You and my daughter should compare notes."
    "We have. How is she?"
    "Still living in New Zealand--on a chicken farm if you can believe that--and still refusing to take my telephone calls." He took a long time lighting his next cigarette. "She resents me terribly. Says I was never there for her. What she doesn't understand is that I was busy. I had a people to protect."
    "It won't last forever."
    "In case you haven't noticed, neither will I." Shamron took a bite of rugelach and chewed it slowly. "How's Anna?"
    "I suppose she's fine. I haven't spoken to her in nearly two months."
    Shamron lowered his chin and peered disapprovingly at Gabriel over his spectacles. "Please tell me you didn't break that poor woman's heart."
    Gabriel stirred sugar into his coffee and looked away from Shamron's steady stare. Anna Rolfe.. . She was a world-renowned concert violinist and the daughter of a wealthy Swiss banker named Augustus Rolfe. A year earlier, Gabriel had helped her track down the men who had murdered her father. Along the way he had also forced her to confront the unpleasant circumstances about her father's wartime past and the source of his remarkable collection of Impressionist and Modern paintings. He had also fallen in love with the tempestuous virtuoso. After the operation, he'd lived for six months at her secluded villa on the Sintra coast of Portugal. Their relationship began to crumble when Gabriel confessed to her that each time they strolled the streets of the village it was the shadow of his wife Leah he saw