Three or four months, I guess.â
âBut you spoke with him a few days ago.â
âHe called, talked about meeting for a drink, catching up. I was busy, I put him off, told him weâd make it next week. Jesus.â Ash pressed his fingers to his eyes.
âI know this is hard. You said you hadnât met the woman heâd been living with for the past three months, almost four months now.â
âNo. He mentioned her when he called. Bragging someâhot model. I didnât pay much attention. Oliver brags, itâs his default.â
âHe didnât mention any trouble between him and the hot model?â
âJust the opposite. She was great, they were great, everything was great.â He looked down at his hands, noticed a smudge of cerulean blue on the side of his thumb.
Heâd been painting when theyâd come to his loft. Heâd been annoyed by the interruptionâthen the world changed.
It all changed with a few words.
âMr. Archer?â
âYeah. Yeah. Everything was fucking great. Thatâs how Oliver works. Everythingâs great unless itâs . . .â
âUnless?â
Ash dragged his hands through his mop of black hair. âLook, heâs family, and now heâs dead, and Iâm trying to get my head around that. Iâm not going to punch at him.â
âItâs not punching at him, Mr. Archer. The better picture I have of him, the better I can resolve what happened.â
Maybe that was true, maybe it was. Who was he to judge?
âOkay, Oliver ran hot. Hot deals, hot women, hot clubs. He liked to party.â
âLive large.â
âYeah, you could say. He liked to consider himself a player, but God, he wasnât. Always the high-stakes table for Oliver, and if he wonâgambling, a business deal, a womanâheâd lose it and more in the next round. So everything was great, until it wasnât and he needed somebody to pull him out. Heâs charming and clever and . . . was.â
The single word slashed through him. Oliver would never be charming and clever again.
âHeâs his motherâs youngest, her only son, and basically? He was overindulged.â
âYou said he wasnât violent.â
âNo.â Ash pulled himself back from the griefâthat was for laterâbut he let the quick flash of temper come through. âI didnât say Oliver wasnât violent, I said he was the opposite of violent.â It stuck in his gut like a knife, the accusation that his brother had killed. âHeâd talk himself out of a bad situation, or run from it. If he couldnât talk himself out of itâand that was rareâor run from it, heâd hide from it.â
âYet we have a witness claiming he struck his girlfriend multiple times before shoving her out a fourteenth-story window.â
âThe witness is wrong,â Ash said flatly. âOliverâs more full of bullshit and delusions of grandeur than anyone I know, but heâd never hit a woman. And he sure as hell wouldnât kill one. Over and above? Heâd never kill himself.â
âThere was a lot of alcohol and drugs in the apartment. Oxy, coke, marijuana, Vicodin.â
As she spoke, cop-cool, Ash imagined her as a Valkyrieâdispassionate in her power. Heâd paint her astride a horse, her wings folded, overlooking a battlefield, face carved like stone as she decided who lived, who died.
âWeâre still waiting on the tox screens, but there were pills and a half-empty bottle of Makerâs Mark, a glass still holding a finger of it, on the table beside your brotherâs body.â
Drugs, alcohol, murder, suicide. The family, he thought, would suffer. He had to pull this knife out of his gut, had to make them see they were wrong.
âDrugs, bourbon, no argument. Oliver was no Boy Scout, but the rest? I donât believe it. The witness is
Guillermo Orsi, Nick Caistor