reached it, but the poet obviously didn’t think that was important. It made David wonder about the kinds of people who wrote poems. Anyone could see that the poem was really only getting interesting when the knight reached the tower, but that was the point at which the poet decided to go off and write something else instead. Perhaps he had meant to come back to it and had simply forgotten, or maybe he couldn’t come up with a monster for the tower that was impressive enough. David had a vision of the poet, surrounded by bits of paper with lots of ideas for creatures crossed out or scribbled over.
Werewolf.
Dragon.
Really big dragon.
Witch.
Really big witch.
Small witch.
David tried to give a form to the beast at the heart of the poem but found that he could not. It was more difficult than it appeared, for nothing quite seemed to fit. Instead, he could only conjure up a half-formed being that crouched in the cobwebbed corners of his imagination where all the things that he feared curled and slithered upon one another in the darkness.
David was aware of a change in the room as soon as he began to fill the empty spaces on the shelves, the newer books looking and sounding uneasy beside these other works from the past. Their appearance was intimidating, and they spoke to David in dusty, rumbling tones. The older books were bound in calfskin and leather, and some of them contained knowledge that had long been forgotten, or that was found to be incorrect as science and the process of discovery uncovered new truths. The books that held this old knowledge had never come to terms with this relegation of their worth. They were now lower than stories, for stories were intended, at some level, to be made up and untrue, but these other books had been born for greater things. Men and women had worked hard on their creation, filling them with the sum total of all that they knew and all that they believed about the world. That they were misguided, and the assumptions they made were now largely worthless, was almost impossible for the books to bear.
A great book that claimed that the end of the world, based on a close examination of the Bible, would occur in 1783, had largely retreated into madness, refusing to believe that the present date was any later than 1782, for to do so would be to admit that its contents were wrong and that its existence therefore had no purpose beyond that of a mere curiosity. A slim work on the current civilizations of Mars, written by a man with a large telescope and an eye that discerned the paths of canals where no canals had ever flowed, gabbled constantly about how the Martians had retreated below the surface and were now building great engines in secret. It currently occupied a position among a number of books on sign language for the deaf, which, fortunately, could not hear anything that was being said to them.
But David also discovered books that were similar to his own. There were thick, illustrated volumes of fairy stories and folk tales, the colors still rich and full within, and it was to these works that David turned his attention in those first days in his new home, lying on the window seat and staring down occasionally upon the forest beyond, as though expecting the wolves and witches and ogres from the stories suddenly to materialize below, for the descriptions in the books matched so accurately the woods bordering the house that it was almost impossible to believe they were not one and the same, an impression strengthened by the nature of the books’ construction, for some of their stories had been added to by hand and the drawings within had been carefully created by someone with no small talent for their art. David could find no name upon the books to identify the author of the additions, and some of the tales were unfamiliar to him while still retaining echoes of the tales he knew almost by heart.
In one story, a princess was forced to dance all night and sleep all day by the