whyâbecause Dahlman had directed a classic pornographic film back in the early 1950âs. Sloane had evidence that this film, The Wild Nymph , was produced at the plant of Mann Photo Service.â
Mann leaped to his feet. âThatâs the most ridiculous thing Iâve ever heard. Unless you have evidence to back up that statement I suggest you leave my house!â
âThen itâs not true?â
âIt most certainly is not! We manufacture a colour-reversal film and process colour prints and transparencies. But we do not produce pornographic films.â
âThe meeting with your plant officials this afternoonâit wasnât called because of Sloaneâs murder?â
âCertainly not! The meeting was called to discuss progress in the strike negotiations.â
âI can back that up,â the mayor said. âThe strike has two hundred people out of work, and that concerns the entire community.â
Somewhat mollified, Xavier Mann sat down again. âDo you think, Mr. McCall, that the mayor of Rockview would take part in a meeting called to discuss the making of sex films?â
âI donât know,â McCall answered frankly. âThen youâre telling me you never knew Dahlman or anything about these films? Or had anything to tell Sloane?â
âThatâs correct.â
Out of the corner of his eye McCall caught Mayor Jordan stirring uneasily. He took a chance and asked, âDid Sloane phone you when he arrived last night?â
âHe called, yes,â Mann answered. âAs a follow up to his letter, I suppose.â
âAnd you, Mayor?â
âHe phoned me too, at my home.â
âAnd you told him nothing.â
âThere was nothing to tell.â
âDoesnât it strike you as odd that a man of Ben Sloaneâs reputation would conduct this sort of a search personally, rather than simply hire a private detective?â
âThatâs simple,â Mayor Jordan said.
âIs it?â
âHe didnât want to scare Dahlman away. Private detectives sometimes uncover too much.â
âLike what?â
The mayor shrugged. âMaybe Dahlman is a respected businessman now. Maybe he doesnât want people to know he once made a dirty movie.â
âWould you call it a motive for murder?â McCall asked.
âMaybe. Maybe not. Depends on the man.â
Xavier Mann was moving again. âMcCall, I canât keep my wife waiting any longer. If youâre married you know how it is.â
âIâm not,â McCall said, thinking of all the times Sam Holland had kidded him about his bachelorhood. âBut I understand and I have no further questions.â
Xavier Mann saw him to the door. Getting into his car, McCall noticed that the mayor had lingered for a few final words. He also noticed someone at an upstairs window, and suspected it was the impatient Mrs. Mann.
FIVE
Wednesday, May 12 and Thursday, May 13
Back at the motel, the room clerk called him over to the desk. âThereâs someone waiting in the bar to see you, Mr. McCall.â
âOh?â
âA black gentleman,â the clerk said, with only a hint of distaste.
McCall found him sitting on a barstool with his back to the door. There was a half-finished beer in front of him. âIâm Micah McCall. You wanted to see me?â
His skin was a deep brown, and his flattened nose seemed to spread halfway across his face. He turned and grinned, showing a double row of gleaming white teeth.
âYouâre the Governorâs man, right?â
âThatâs right.â McCall slipped on to the next barstool and ordered a beer. âWhat can I do for you?â
âNameâs George Watts. Iâm one of the strikers out at the plant.â
âIâm not here about the strike.â
âI know. Youâre here because somebody shot that film man this morning.â
McCallâs eyes