too will cease, although I cannot fathom how far in the future that might be. Your lives will end just as ours did, just as everyone's must. No matter how long it takes, eventually equilibrium will be reached.
I hope you are not saddened by that awareness. I hope that your expedition was more than a search for other universes to use as reservoirs. I hope that you were motivated by a desire for knowledge, a yearning to see what can arise from a universe's exhalation. Because even if a universe's lifespan is calculable, the variety of life that is generated within it is not. The buildings we have erected, the art and music and verse we have composed, the very lives we've led: none of them could have been predicted, because none of them were inevitable. Our universe might have slid into equilibrium emitting nothing more than a quiet hiss. The fact that it spawned such plenitude is a miracle, one that is matched only by your universe giving rise to you.
Though I am long dead as you read this, explorer, I offer to you a valediction. Contemplate the marvel that is existence, and rejoice that you are able to do so. I feel I have the right to tell you this because, as I am inscribing these words, I am doing the same.
Shoggoths In Bloom
Elizabeth Bear
Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. She lives in West Hartford, Connecticut, with a presumptuous cat and a selection of struggling houseplants. Her first short fiction appeared in 1996, and was quickly followed by ten novels and nearly fifty short stories. Her most recent book is novel All the Windwracked Stars . Bear's "Jenny Casey" trilogy won the Locus Award for Best First Novel, and she won the John W. Campbell Award for Best New Writer in 2005. She is also a Hugo and Sturgeon award recipient.
"Well, now, Professor Harding," the fisherman says, as his Bluebird skips across Penobscot Bay, "I don't know about that. The jellies don't trouble with us, and we don't trouble with them."
He's not much older than forty, but wizened, his hands work-roughened and his face reminiscent of saddle leather, in texture and in hue. Professor Harding's age, and Harding watches him with concealed interest as he works the Bluebird 's engine. He might be a veteran of the Great War, as Harding is.
He doesn't mention it. It wouldn't establish camaraderie: they wouldn't have fought in the same units or watched their buddies die in the same trenches.
That's not the way it works, not with a Maine fisherman who would shake his head and not extend his hand to shake, and say, between pensive chaws on his tobacco, " Doctor Harding? Well, huh. I never met a colored professor before," and then shoot down all of Harding's attempts to open conversation about the near-riots provoked by a fantastical radio drama about an alien invasion of New York City less than a fortnight before.
Harding's own hands are folded tight under his armpits so the fisherman won't see them shaking. He's lucky to be here. Lucky anyone would take him out. Lucky to have his tenure-track position at Wilberforce, which he is risking right now.
The bay is as smooth as a mirror, the Bluebird 's wake cutting it like a stroke of chalk across slate. In the peach-sorbet light of sunrise, a cluster of rocks glistens. The boulders themselves are black, bleak, sea-worn and ragged. But over them, the light refracts through a translucent layer of jelly, mounded six feet deep in places, glowing softly in the dawn. Rising above it, the stalks are evident as opaque silhouettes, each nodding under the weight of a fruiting body.
Harding catches his breath. It's beautiful. And deceptively still, for whatever the weather may be, beyond the calm of the bay, across the splintered gray Atlantic, farther than Harding—or anyone—can see, a storm is rising in Europe.
Harding's an educated man, well-read, and he's the grandson of Nathan Harding, the buffalo soldier. An African-born ex-slave who