accident in the song â not noticing traffic lights and a crowd forming at the scene â were made up. Paul, who contributed lines to this part of the song, didnât know at the time that John had Tara Browne in mind. He thought he was writing about âa stoned politicianâ.
Browne was driving down Redcliffe Gardens in Earls Court after midnight, when a Volkswagen emerged from a side street into his path. He swerved and his Lotus Elan ploughed into a stationary van. He was pronounced dead on arrival at a local hospital. The autopsy revealed that his death was the result of âbrain lacerations due to fractures of the skullâ. His passenger, model Suki Potier, escaped with bruises and shock.
Tara Browne, great grandson of the brewer Edward Cecil Guinness and son of Lord Oranmore and Browne, was part of a young aristocratic elite who loved to mingle with pop stars (but he wasnât a member of the House of Lords). Although only 21 at the time of his death, he would have inherited a £1,000,000 fortune at the age of 25 and was described on his death certificate as a man âof independent meansâ with a London home in Eaton Row, Belgravia. After schooling at Eton, Browne married at 18 and fathered two boys before separating from his wife and taking up with Suki Potier. He frequented London nightspots such as Sibyllaâs and the Bag OâNails and had become particularly friendly with Paul and Mike McCartney and Rolling Stone Brian Jones. For his 21st birthday, he had the Lovinâ Spoonful flown to his ancestral home in County Wicklow, Ireland. Mick Jagger, Mike McCartney, Brian Jones and John Paul Getty were amongst the guests. Paul was with Browne when he first took LSD in 1966.
Paulâs unfinished song, a bright and breezy piece about getting out of bed and setting off for school, was spliced between the second and third verses of Johnâs song. âIt was another song altogether but it happened to fit,â Paul said. âIt was just me remembering what it was like to run up the road to catch a bus to school, having a smoke and going into classâ¦It was a reflection of my schooldays. I would have a Woodbine (a cheap unfiltered British cigarette) and somebody would speak and I would go into a dream.â
The references to having a smoke, dreams and âturn-onsâ meant that the track was banned from the airwaves in many countries. There were even some who were convinced that the holes in Blackburn, like the holes Paul had been keen to fix, were those of a heroin user.
In 1968 Paul admitted that âA Day In The Lifeâ was what he called âa turn-on songâ. âThis was the only one on the album written as a deliberate provocation,â he said. âBut what we want to do is to turn you on to the truth rather than on to pot.â George Martin comments: âThe âwoke up, got out of bedâ bit was definitely a reference to marijuana but âFixing A Holeâ wasnât about heroin and âLucy In The Sky With Diamondsâ wasnât about LSD. At the time I had a strong suspicion that âwent upstairs and had a smokeâ was a drug reference. They always used to disappear and have a little puff but they never did it in front of me. They always used to go down to the canteen and Mal Evans used to guard it.â
MAGICAL MYSTERY TOUR
With Sgt Pepper behind them, the Beatles immediately plunged into recording soundtracks for two very different films â Yellow Submarine and Magical Mystery Tour.
Yellow Submarine , a feature-length animation project, wasnât initiated by the group but they took a keen interest in its development. The Beatles were happy to see themselves turned into cartoon characters and contributed storylines as well as four original songs. The script was by a team of screenwriters, one of whom was Erich Segal, author of the best-selling novel, Love Story . A psychedelic fantasy, Yellow