The Ape's Wife and Other Stories
him five dollars. He thanked me, and I took the wooden box and stepped out onto the wet sidewalk.
    “She’s up on the eleventh,” he told me, nodding towards the apartments. Then he drove off, and I turned to face the imposing brick and limestone façade of the building the driver had called the Colosseum. I rarely find myself any farther north than the Upper West Side, so this was pretty much terra incognita for me.
    The doorman gave me directions, after giving both me and Fong’s box the hairy eyeball, and I quickly made my way to the elevators, hurrying through that ritzy marble sepulcher passing itself off as a lobby. When the operator asked which floor I needed, I told him the eleventh, and he shook his head and muttered something under his breath. I almost asked him to speak up, but thought better of it. Didn’t I already have plenty enough on my mind without entertaining the opinions of elevator boys? Sure, I did. I had a murdered Chinaman, a mysterious box, and this pushy little sorceress calling herself Ellen Andrews. I also had an especially disagreeable feeling about this job, and the sooner it was settled, the better. I kept my eyes on the brass needle as it haltingly swung from left to right, counting off the floors, and when the doors parted she was there waiting for me. She slipped the boy a sawbuck, and he stuffed it into his jacket pocket and left us alone. 
    “So nice to see you again, Nat,” she said, but she was looking at the lacquered box, not me. “Would you like to come in and have a drink? Auntie H says you have a weakness for rye whiskey.”
    “Well, she’s right about that. But, just now, I’d be more fond of an explanation.”
    “How odd,” she said, glancing up at me, still smiling. “Auntie said one thing she liked about you was how you didn’t ask a lot of questions. Said you were real good at minding your own business.”
    “Sometimes I make exceptions.”
    “Let me get you that drink,” she said, and I followed her the short distance from the elevator to the door of her apartment. Turns out, she had the whole floor to herself, each level of the Colosseum being a single apartment. Pretty ritzy accommodations, I thought, for someone who was mostly from out of town. But then I’d spent the last few years living in that one-bedroom cracker box above the Yellow Dragon, hot and cold running cockroaches and so forth. She locked the door behind us, then led me through the foyer to a parlor. The whole place was done up gaudy period French, Louis Quinze and the like, all floral brocade and Orientalia. The walls were decorated with damask hangings, mostly of ample-bosomed women reclining in pastoral scenes, dogs and sheep and what have you lying at their feet. Ellen told me to have a seat, so I parked myself on a récamier near a window.
    “Harpootlian spring for this place?” I asked.
    “No,” she replied. “It belonged to my mother.”
    “So, you come from money.”
    “Did I mention how you ask an awful lot of questions?”
    “You might have,” I said, and she inquired as to whether I liked my whiskey neat or on the rocks. I told her neat, and I set the red box down on the sofa next to me.
    “If you’re not too thirsty, would you mind if I take a peek at that first,” she said, pointing at the box.
    “Be my guest,” I said, and Ellen smiled again. She picked up the red lacquered box, then sat next to me. She cradled it in her lap, and there was this goofy expression on her face, a mix of awe, dread, and eager expectation.
    “Must be something extra damn special,” I said, and she laughed. It was a nervous kind of a laugh.
    I’ve already mentioned how I couldn’t discern any evidence the box had a lid, and I’d supposed there was some secret to getting it open, a gentle squeeze or nudge in just the right spot. Turns out, all it needed was someone to say the magic words.
    “ Pain had no sting, and pleasure’s wreath no flower, ” she said, speaking slowly and all

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